PUBLICATIONS

Justin Paterson, Marcelo M. Wanderley (Eds.). (2023-07-10). Feeling the Future—Haptic Audio. Arts - MDPI.

Thomas Pietrzak, Marcelo M. Wanderley (Eds.). (2020-08-07). Haptic and Audio Interface Design. Journal on Multimodal User Interfaces, Springer.

Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley (Eds.). (2019-02-15). New Directions in Music and Human-Computer Interaction. Springer International Publishing.

Marcelo M. Wanderley, Joseph Malloch (Eds.). (2014-09-01). Advances in the Design of Mapping for Computer Music. Computer Music Journal, MIT Press.

Miguel S. Dias, Sylvie Gibet, Marcelo M. Wanderley, Rafael Bastos (Eds.). (2009-06-01). Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag.

Eduardo R. Miranda, Marcelo M. Wanderley (2006-01-01). New Digital Musical Instruments: Control and Interaction Beyond the Keyboard. A-R Editions, Inc.

Marcelo M. Wanderley (Eds.). (2002-08-01). Mapping Strategies in Real-time Computer Music. Organised Sound, Cambridge University Press.

Marcelo M. Wanderley, Marc Battier (Eds.). (2000-01-06). Trends in Gestural Control of Music. Ircam, Paris, France.

Fernanda T. Zanon, Aline P. Gonçalves (2025-02-01). Ansiedade na Performance Musical : Teoria, Prática e Educação. In Betânia Parizzi, João Gabriel M. Fonseca, Angelita Broock, Marina Freire, Heloísa Feichas (Eds.), Música... Cérebro, Educação, Saúde (pp. 168-183). Instituto Langage.

Richard Yanaky, P. J. C. Reimer, Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino (2024-08-29). Sound-Based Interaction. In C. Stephanidis and G. Salvendy (Eds.), Interaction Techniques and Technologies in Human-Computer Interaction. CRC Press.

Benjamin Lavastre, Marcelo M. Wanderley (2023-06-22). Interaction Strategies in Composition for Karlax and Acoustic Instruments. In Mitsuko Aramaki, Keiji Hirata, Tetsuro Kitahara, Richard Kronland-Martinet and Sølvi Ystad (Eds.), Music in the AI Era. 15th International Symposium, CMMR 2021, November 15–19, 2021 Revised Selected Papers, LNCS 13770 (pp. 163-179). Springer Nature.

Marcelo M. Wanderley (2022-04-01). Recherche interdisciplinaire: Voie royale ou voie sans issue?. In S. Allaire, F. Deschenaux (Eds.), Récits de professeurs d’université à mi carrière. Si c’était à refaire… (pp. 29-40). Presses de l‘Université du Québec.

Marcelo M. Wanderley (2022-03-01). Motion Capture of Music Performances. In Gary McPherson (Eds.), The Oxford Handbook of Music Performance (pp. 465–494). Oxford University Press.

Joseph Malloch, Jérémie Garcia, Marcelo M. Wanderley, Wendy E. Mackay, Michel Beaudouin-Lafon, Stéphane Huot (2019-02-07). A Design Workbench for Interactive Music Systems. In Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley (Eds.), New Directions in Music and Human-Computer Interaction. (pp. 23-40). Springer, Cham.

Marcelo M. Wanderley, Wendy Mackay (2019-01-01). HCI, Music and Art: An Interview with Wendy Mackay. In Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley (Eds.), New Directions in Music and Human-Computer Interaction (pp. 115-120). Springer, Cham.

Manfred Nusseck, Marcelo M. Wanderley, Claudia Spahn (2018-04-05). Body Movements in Music Performances: The Example of Clarinet Players. In Bertram Müller, Sebastian Wolf (Eds.), Handbook of Human Motion. Springer, Cham.

Marcello Giordano, John Sullivan, Marcelo M. Wanderley (2018-01-01). Design of Vibrotactile Feedback and Stimulation for Music Performance. In Stefano Papetti, Charalampos Saitis (Eds.), Musical Haptics. Springer Series on Touch and Haptic Systems (pp. 193 - 214). Springer, Cham.

Ivan Franco, Marcelo M. Wanderley (2017-09-16). Prynth: A Framework for Self-contained Digital Music Instruments. In Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad (Eds.), Bridging People and Sound. CMMR 2016. Lecture Notes in Computer Science, vol 10525 (pp. 357-370). Springer.

Joseph Malloch, Marcelo M. Wanderley (2017-05-01). Embodied Cognition and Digital Musical Instruments: Design and Performance. In M. Lesaffre, M. Leman, P.-J. Maes (Eds.), The Routledge Companion to Embodied Music Interaction (pp. 438–447).

Marcelo M. Wanderley (2017-01-01). Expert Commentary: Perry Cook’s Principles Still Going Strong. In Alexander Refsum Jensenius, Michael J. Lyons (Eds.), A NIME Reader: Fifteen Years of New Interfaces for Musical Expression (pp. 11-13).

Joseph Malloch, Stephen Sinclair, Avrum Hollinger, Marcelo M. Wanderley (2011-06-01). Input Devices and Music Interaction. In Jorge Solis, Kia Ng (Eds.), Musical Robots and Interactive Music Systems (pp. 67-83). Springer Verlag.

Alexander R. Jensenius, Marcelo M. Wanderley, Rolf Inge Godøy, Marc Leman (2010-06-01). Musical Gesture: Concepts and Methods in Research. In Rolf Inge Godøy, Marc Leman (Eds.), Musical Gestures: Sound, Movement and Meaning (pp. 12-35). Routledge.

Marcelo M. Wanderley (2010-06-01). Projeto e Utilização de Instrumentos Musicais Digitais. In D. Keller (Eds.), Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar 1, ANPOM.

Marcelo M. Wanderley (2006-06-01). Instrumentos Musicais Digitais – Gestos, Sensores e Interfaces. In B. Ilari (Eds.), Em Busca da Mente Musical. Editora da Universidade Federal do Paraná.

Marcelo M. Wanderley, B. Vines (2006-01-01). Origins and Function of Clarinettists’ Ancillary Gestures. In A. Gritten, E. King (Eds.), Music and Gesture: New Perspectives on Theory and Contemporary Practice.

M. M. Wanderley (2002-01-01). Quantitative Analysis of Non-obvious Performer Gestures. In I. Wachsmuth and T. Sowa (Eds.), Gesture and Sign Language in Human-Computer Interaction (pp. 241-253).

C. Cadoz, M. M. Wanderley (2000-01-01). Gesture-Music. In M. M. Wanderley and M. Battier (Eds.), Trends in Gestural Control of Music.

M. M. Wanderley (1999-01-01). Non-Obvious Performer Gestures in Instrumental Music. In A. Braffort, R. Gherbi, S. Gibet, J. Richardson, D. Teil (Eds.), Gesture-Based Communication in Human-Computer Interaction (pp. 37-48).

Valérian Fraisse, Nadine Schütz, Coralie Vincent, Marcelo M. Wanderley, Catherine Guastavino, Nicolas Misdariis (2026-09-02). Composing with Acoustic Niches: A Laboratory Soundscape Evaluation of Sound Installation Reactivity. NPJ Acoustics.

Anesio Azevedo Costa Neto, Stéphan Olivier Schaub, Marcelo M. Wanderley (2026-03-24). Transdisciplinary Artistic Strategies in Environmental Sound Art and the Politics of Listening in Contemporary Latin America. Organised Sound.

Bavo Van Kerrebroeck, Connor Spiech, Virginia Penhune, Marcelo M. Wanderley (2026-03-18). Cross-modal Synchrony Between Music and Visual Motion Modulates Vection, Urge to Move, and Comfort in VR. Virtual Reality.

Valérian Fraisse, Charles Montambault, Marcelo M. Wanderley, Catherine Guastavino (2025-10-27). Bringing the Coastline to the City: Laboratory Evaluation of Urban Soundscapes in the Presence of Ambient Sound Art. Music & Science.

P. J. Charles Reimer, Atishi Gupta, Catherine Guastavino, Marcelo M. Wanderley (2025-08-12). User Experience with Digital Musical Instruments: A Transferable Method for Longitudinal Evaluation. Journal of New Music Research.

Matteo Tomasetti, Bavo van Kerrebroeck, Marcelo M. Wanderley, Domenico Stefani, Luca Turchet (2025-04-04). SonoSpatia: a Virtual Reality Interface for the Creation of 3D Spatial Audio Trajectories. Journal of the Audio Engineering Society.

Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Marcelo M. Wanderley (2025-03-07). Behavioral Measures of Copresence in Co-located Mixed Reality. IEEE Transactions on Visualization and Computer Graphics.

Bavo Van Kerrebroeck, Marcelo M. Wanderley, Alexander P. Demos, Caroline Palmer (2025-02-03). Virtual Partners Improve Synchronization in Human-Machine Trios. Cognitive Science.

Andrew McPherson, Landon Morrison, Matthew Daviso, Marcelo M. Wanderley (2025-01-28). On Mapping as a Technoscientific Practice in Digital Musical Instruments. Journal of New Music Research.

Ziyue Piao, Christian Frisson, Bavo Van Kerrebroeck, Marcelo M. Wanderley (2024-11-16). Assessing the Impact of Force Feedback in Musical Knobs on Performance and User Experience. Actuators.

Erivan Gonçalves Duarte, Isabelle Cossette, Marcelo M. Wanderley (2023-10-24). Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. Frontiers in Computer Science.

Benjamin Bacon, Stuart Jackson, Ian Marci, Fabrice Marandola, Marcelo M. Wanderley (2023-09-14). Sticking Choices in Timpani Sight-Reading Performance. Front. Psychol. Sec. Performance Science.

Marcelo M. Wanderley, Christian Frisson (2023-07-17). Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France). Arts.

Christian Frisson, Marcelo M. Wanderley (2023-07-10). Challenges and Opportunities of Force Feedback in Music. Arts.

Justin Paterson, Marcelo M. Wanderley (2023-07-07). Feeling the Future—Haptic Audio: Editorial. Arts.

John Sullivan, Marcelo M. Wanderley, Catherine Guastavino (2023-06-26). From Fiction to Function: Imagining New Instruments through Design Workshops. Computer Music Journal.

Aline P. Gonçalves; Fernanda F. Zanon (2022-11-25). Ansiedade na performance musical: Uma reflexão sobre o emprego de estratégias a partir de uma perspectiva da Psicologia do Esporte. PerMusi.

Geise Santos, Marcelo Wanderley, Tiago Tavares, Anderson Rocha (2022-09-07). A Multi-Sensor Human Gait Dataset Captured Through an Optical System and Inertial Measurement Units. Scientific Data.

John Sullivan, Catherine Guastavino, Marcelo M. Wanderley (2021-12-31). Surveying Digital Musical Instrument Use in Active Practice. Journal of New Music Research.

Felipe Verdugo, Mickael Begon, Sylvie Gibet, Marcelo M. Wanderley (2021-08-12). Proximal-to-Distal Sequences of Attack and Release Movements of Expert Pianists during Pressed-Staccato Keystrokes. Journal of Motor Behavior.

Leandro Costalonga, Marcelo Pimenta, Marcelo M. Wanderley (2021-06-25). Can Ubimus Technologies Affect our Musicality?. PerMusi Scholarly Music Journal. Thematic Session: Computing Performed Music.

Amandine Pras, Mailis G. Rodrigues, Victoria Grupp, Marcelo M. Wanderley (2021-04-12). Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables. Frontiers in Psychology.

Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino (2021-04-11). Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact., Basel, Switzerland.

Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, Marcelo M. Wanderley (2020-10-08). Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors.

Thomas Pietrzak, Marcelo M. Wanderley (2020-08-07). Haptic and audio interaction design. Journal on Multimodal Interfaces.

Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley (2020-07-26). Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. Journal on Multimodal Interfaces.

Felipe Verdugo, Justine Pelletier, Benjamin Michaud, Caroline Traube, Mickaël Begon (2020-06-10). Effects of Trunk Motion, Touch, and Articulation on Upper-Limb Velocities and on Joint Contribution to Endpoint Velocities During the Production of Loud Piano Tones. Frontiers in Psychology 11:1159.

Luca Turchet, Travis West, Marcelo M. Wanderley (2020-03-24). Touching the Audience: Musical Haptic Wearables for augmented and participatory live music performances. Personal and Ubiquitous Computing.

Alexander P. Demos, Hamed Layeghi, Marcelo M. Wanderley, Caroline Palmer (2019-10-01). Staying together: A bidirectional delay-coupled approach to joint action. Cognitive Science.

Catherine Massie-Laberge, Isabelle Cossette, Marcelo M. Wanderley (2019-01-10). Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology.

Baptiste Caramiaux, Frederic Bevilacqua, Marcelo M. Wanderley, Caroline Palmer (2018-03-15). Dissociable Effects of Practice Variability on Learning Motor and Timing Skills. PLOS ONE.

Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2018-01-15). Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multimedia.

Alexander P. Demos, Daniel J. Carter, Marcelo M. Wanderley, Caroline Palmer (2017-02-17). The Unresponsive Partner: Roles of Social Status, Auditory Feedback, and Animacy in Coordination of Joint Music Performance. Frontiers in Psychology, section Cognitive Science.

Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, Geber Ramalho (2017-01-15). A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE Multimedia.

Esteban Maestre, Panos Papiotis, Marco Marchini, Quim Llimona, Oscar Mayor, Alfonso Perez, Marcelo M. Wanderley (2017-01-15). Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System. IEEE Multimedia.

Marlon Schumacher, Marcelo M. Wanderley (2016-12-22). Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping . Published online on December 22, 2016. DOI:. Journal of New Music Research.

Arum Hollinger, Marcelo M. Wanderley (2015-11-15). The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello. IEEE Sensors Journal.

Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2015-08-15). Distributed Tools for Interactive Design of Heterogeneous Signal Networks. Multimedia Tools and Applications.

Alfonso Perez Carrillo, Marcelo M. Wanderley (2015-03-15). Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE Transactions on Audio, Speech and Language Processing.

Pieter-Jan Maes, Caroline Palmer, Marcelo M. Wanderley (2015-01-01). The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements. Experimental Brain Research, Springer Berlin Heidelberg.

Steven R. Livingstone, William F. Thompson, Marcelo M. Wanderley, Caroline Palmer. (2014-11-25). Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song. Quarterly Journal of Experimental Psychology, Taylor & Francis.

Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle (2014-09-15). Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives. Computer Music Journal, MIT Press.

Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward (2014-08-04). Velocity estimation algorithms for audio-haptic simulations involving stick-slip. IEEE Transactions on Haptics, IEEE.

Carolina Brum Medeiros, Marcelo M. Wanderley (2014-07-25). A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression. Sensors Journal.

Euler C. F. Teixeira, Mauricio A. Loureiro, Marcelo M. Wanderley, Hani C. Yehia (2014-07-03). Motion Analysis of Clarinet Performers. Journal of New Music Research, Taylor & Francis.

Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil (2014-06-02). In-House Development of Paper Force Sensors for Musical Applications. Computer Music Journal, MIT Press.

Carolina Brum Medeiros, Marcelo M. Wanderley (2014-04-01). Multiple-model Linear Kalman Filter Framework for Unpredictable Signals. IEEE Sensors Journal.

R. Michael Winters, Marcelo M. Wanderley (2014-04-01). Sonification of Emotion: Strategies and Results from the Intersection with Music. Organised Sound, Cambridge University Press.

Rodrigo A. Seger, Marcelo M. Wanderley, Alessandro L. Koerich. (2014-03-01). Automatic Detection of Musicians’ Ancillary Gestures based on Video Analysis. Expert Systems with Applications, Elsevier.

Pieter-Jan Maes, Marc Leman, Caroline Palmer, Marcelo M. Wanderley. (2014-01-03). Action-based Effect on Music Perception. Frontiers in Psychology, Frontiers Media S.A..

Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley, Laurent Daudet (2013-11-01). Gestural Strategies in the Harp Performance. Acta Acustica united with Acustica, Hirzel Verlag.

Joseph Thibodeau, Marcelo M. Wanderley (2013-09-26). Trumpet Augmentation and Technological Symbiosis. Computer Music Journal, MIT Press.

Rachel M. Brown, Joyce L. Chen, Avrum Hollinger, Virginia B. Penhune (2013-02-01). Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music. Journal of Cognitive Neuroscience, MIT Press.

R. Michael Winters, Alexandre Savard, Vincent Verfaille, Marcelo M. Wanderley (2012-12-01). A Sonification Tool for the Analysis of Large Databases of Expressive Gesture. The International Journal of Multimedia & Its Applications (IJMA), AIRCC Publishing Corporation.

Baptiste Caramiaux, Marcelo M. Wanderley, Frédéric Bevilacqua (2012-04-16). Segmenting and Parsing Instrumentalist’s Gestures. Journal of New Music Research, Routledge.

Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley (2012-04-01). Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis – Application to Percussion Motion. The Visual Computer Journal, Springer.

Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley, Laurent Daudet (2012-01-01). Experimental study of the musician / instrument interaction in the case of the concert harp. Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique.

Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola (2011-09-02). Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Computer Music Journal, MIT Press.

Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca, Daniel J. Levitin. (2011-02-01). Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance. Cognition, Elsevier.

Marlon Schumacher, Jean Bresson (2010-12-01). Spatial Sound Synthesis in Computer-Aided Composition. Organised Sound, Cambridge University Press.

Sean Ferguson, Marcelo M. Wanderley (2010-09-22). The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments. Journal of Interdisciplinary Music Studies.

Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet (2010-07-01). Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures. Acta Acustica united with Acustica, S. Hirzel Verlag.

Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley. (2010-01-05). Detecting Overblown Flute Fingerings from the Residual Noise Spectrum. Journal of the Acoustical Society of America, Acoustical Society of America.

Mark T. Marshall, Max Hartshorn, Marcelo M. Wanderley, Daniel J. Levitin (2009-12-17). Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation. Journal of New Music Research, Routledge.

Manfred Nusseck, Marcelo M. Wanderley (2009-04-01). Music and Motion — How Music-Related Ancillary Body Movements Contribute to the Experience of Music. Music Perception: An Interdisciplinary Journal, University of California Press.

Stephen Sinclair, Marcelo M. Wanderley (2009-01-01). A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interacting with Computers, Elsevier.

Vincent Verfaille, Marcelo M. Wanderley, Philippe Depalle (2008-05-09). Indirect acquisition of flutist gestures: a case study of harmonic note fingerings. Journal of the Acoustical Society of America, Acoustical Society of America.

Vincent Verfaille, Arnaud Rebillout, Philippe Guillemain, Marcelo M. Wanderley (2008-05-09). Refining mapping strategies to improve the sound quality of physically controlled synthesis. Journal of the Acoustical Society of America, Acoustical Society of America.

Doug Van Nort (2006-08-14). Noise/music and representation systems. Organised Sound, Cambridge University Press.

Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Daniel J. Levitin (2006-08-01). Cross-modal interactions in the perception of musical performance. Cognition, Elsevier.

Vincent Verfaille, Marcelo M. Wanderley (2006-05-04). Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures. Journal of the Acoustical Society of America, Acoustical Society of America.

Vincent Verfaille, Marcelo M. Wanderley and Philippe Depalle (2006-01-01). Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects. Journal of New Music Research, Routledge.

M. M. Wanderley, B. Vines, N. Middleton, C. McKay, W. Hatch (2005-01-01). The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field. .

M. M. Wanderley, P. Depalle (2004-01-01). Gestural Control of Sound Synthesis. Proceedings of the IEEE - Special Issue on Engineering and Music - Supervisory Control and Auditory Communication.

Andy Hunt, Marcelo M. Wanderley, Matthew Paradis (2003-01-01). The Importance of Parameter Mapping in Electronic Instrument Design. Journal of New Music Research, Routledge.

Marcelo M. Wanderley, Nicola Orio (2002-09-01). Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Computer Music Journal, MIT Press.

Andy Hunt, Marcelo M. Wanderley (2002-08-01). Mapping Performance Parameters to Synthesis Engines. Organised Sound, Cambridge University Press.

Ziyue Piao, Katsunori Suzuki, Naoto Kojima, Yohei Wada, Isabelle Cossette, Marcelo M. Wanderley, Akira Maezawa (2026-10-11). GummiSoma: Co-Designing a Carbon-Nanotube Strain-Sensing Garment for Respiratory Tracking in Vocal Performance. ACM International Joint Conference on Pervasive and Ubiquitous Computing (UbiComp Companion ’26), Shanghai, China.

Danilo Pesevic, Isaac Ng, Maxwell Gentili-Morin, Marcelo M. Wanderley, Christian Frisson (2026-07-09). Experiencing different 1 Degree-of-Freedom rotary actuators across iterations of TorqueTuners in musical applications. Proceedings of the 2026 EuroHaptics Conference (EuroHaptics '26), Siena, Italy.

Ziyue Piao, Yohei Wada, Isabelle Cossette, Marcelo M. Wanderley, Akira Maezawa (2026-06-23). Exploring Breathing-Music Coupling: Using the Breathing Mirror for Somatic Reflection in Piano Performance. Proceedings of the 2026 International Conference on New Interfaces for Musical Expression, London, UK.

Ziyue Piao, Kanyu Chen (2026-06-23). Respiratory Musical Interfaces (RMIs) in NIME. London, UK.

Ziyue Piao, Isabelle Cossette, Marcelo M. Wanderley (2026-04-13). Reconciling Kinesthetic Mismatches: A Somatic Alignment Mindset for Musical Body Transformation. 2026 CHI Conference on Human Factors in Computing Systems Workshop (Body Transformation Experiences: A workshop on How to Elicit, Assess and Support them through Multisensory Technology), Barcelona, Spain.

Paloma F. Monteiro, Maxwell Gentili-Morin, Giordano Gatti, João Paulo Casarotti, Jefferson F. Loss, Marcelo M. Wanderley, Regina A. T. dos Santos (2025-12-01). Impacts of Diversified Repetition on Multilevel Motor Organization During Piano Performance. Proceedings of the 35th Congress of the National Association for Music Research and Graduate Studies (ANPPOM)..

Paloma F. Monteiro, Maxwell Gentili-Morin, Giordano Gatti, João Paulo Casarotti, Jefferson F. Loss, Marcelo M. Wanderley, Regina A. T. dos Santos (2025-12-01). Practice with Diversified Repetition and Its Influence on Bimanual Synchronization in Pianists. Proceedings to PERFORMUS’25 - 13th International Conference on Music Performance Brazilian Society on Music Performance (ABRAPEM).

Oren Ronen, Marcelo M. Wanderley (2025-10-29). Augmenting IoMusT Devices with Haptic Feedback: Design Tools and Strategies from Expert T-Stick Performers. Procedings of the 2025 IEEE International Symposium on the Internet of Sounds, L'Aquila, Italy.

Nishal Silva, Marcelo M. Wanderley, Luca Turchet. (2025-10-29). Melody and Motion: Integrating Guitar Gesture Detection with Musical Patterns for Extended Control in Live Performance and Metaverse Applications. Procedings of the 2025 IEEE International Symposium on the Internet of Sounds, L'Aquila, Italy.

Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Laurent Grisoni, Marcelo M. Wanderley (2025-07-04). Strategies for the Reconciliation of Artistic Intent and Technical Constraints in Mixed Reality Performances. ACM Designing Interactive Systems (DIS) 2025 Conference, Madeira, Portugal.

Linnea Kirby, Christiana Rose, Jeremy Cooperstock, Marcelo Wanderley (2025-07-01). Creating a Real-Time Responsive Handbalancing Interface with HAND?CS. Proceedings of the 2025 International Conference on New Interfaces for Musical Expression (NIME2025), Canberra, Australia.

Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Marcelo Wanderley (2025-07-01). Decoupling Physical and Virtual Spaces for New Collaboration Strategies in Co-Located Mixed Reality Instruments. Proceedings of the 2025 International Conference on New Interfaces for Musical Expression (NIME2025), Canberra, Australia.

Travis West, Ninad Puranik, Gary Scavone, Marcelo M. Wanderley (2025-07-01). Towards the Continuous Harmonium: Replicating the Continuous Keyboard. Proceedings of the 2025 International Conference on New Interfaces for Musical Expression (NIME2025), Canberra, Australia.

Fausto Borém, Marcelo M. Wanderley (2025-05-26). The “FIGHT” of D. Andrew Stewart and the T-stick in the Improvised Choreography to “Everyone to the Power of One”. GT12 - Recognizing bodies, technologies and companion species, Belo Horizonte, Brazil.

Valérian Fraisse, Nadine Schütz, Coralie Vincent, Marcelo M. Wanderley, Catherine Guastavin, Nicolas Misdariis (2025-05-24). Exploring Sound Installation Reactivity: Acoustic Niches in Public Space. Proceedings of the 2025 International Symposium on Musical and Room Acoustics (ISMRA), New Orleans, USA.

Ninad Puranik, Travis West, Marcelo Wanderley, Gary Scavone (2025-04-11). Thoughts on Mapping and Interface Design of a Keyboard to Perform Continuous Pitch Ornamentations in Hindustani Music. Workshop on Indian Music Analysis and Generative Applications (WIMAGA), IEEE ICASSP, Hyderabad, India.

Ziyue Piao (2025-03-04). Exploring Haptics to Augment Kinesthetic Learning in Singing. Proceedings of the International Conference on Tangible, Embedded, and Embodied Interaction (TEI ’25), Bordeaux / Talence, France.

Albert-Ngabo Niyonsenga, Marcelo M. Wanderley (2024-09-04). Take Five: Improving Maintainability and Reliability of the T-Stick. Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024), Utrecht, NL.

Gaël Moriceau, Yulin Yan, Dominic Thibault, Marcelo M. Wanderley (2024-09-04). The Obstacle Course of DMI Performance: Two Case Studies with T-Stick and Karlax. Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024), Utrecht, NL.

João Tragtenberg, Filipe Calegario, Marcelo M. Wanderley, Virgínia Cavalcanti (2024-09-02). Designing DMIs with(in) a Music Culture: A Participatory Design Process with the Xambá Quilombola Community. Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024), Utrecht, NL.

Maxwell Gentili-Morin, Marcelo M. Wanderley (2024-09-02). R-FF: A Single Reed Haptic Library for the TorqueTuner. Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024), Utrecht, NL.

Oren Ronen, Marcelo M. Wanderley (2024-09-02). Sonic Touch: A Haptic Toolkit for Fast Vibrotactile Prototyping. Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024), Utrecht, NL.

Travis J. West, Stephane Huot, Marcelo M. Wanderley (2024-09-02). Sygaldry: DMI Components First and Foremost. Proceedings of the 2024 International Conference on New Interfaces for Musical Expression (NIME2024), Utrecht, NL.

Bavo Van Kerrebroeck, Marcelo M. Wanderley, Alexander P. Demos, Caroline Palmer (2024-07-15). Virtual Partners Improve Synchronization in Human-Machine Trios. CogSci 2024 - Dynamics of Cognition. 46th Annual Meeting., Rotterdam, NL.

Ziyue Piao, Marcelo M. Wanderley, Felipe Verdugo (2023-11-29). MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback. Proceedings of the 2023 International Conference on ArtsIT, Interactivity and Game Creation (ArtsIT 2023).

Brady Boettcher, Eduardo Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph Malloch (2023-06-01). Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023), Mexico City, MX.

Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier (2023-06-01). eTu{d,b}e: Case studies in playing with musical agents. Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023), Mexico City, MX.

Marcelo M. Wanderley (2023-06-01). Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community Before NIME.” Marcelo M. Wanderley.. Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023), Mexico City, MX.

Takuto Fukuda, Marcelo M. Wanderley (2023-06-01). T-Patch: a software application for T-Stick Digital Musical Instruments Mexico City, MX. Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023), Mexico City, MX.

Eduardo Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley (2023-06-01). The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023), Mexico City, MX.

Albert-Ngabo Niyonsenga, Marcelo M. Wanderley (2023-06-01). Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023), Mexico City, MX.

Paul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley (2023-06-01). Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. Proceedings of the 2023 International Conference on New Interfaces for Musical Expression (NIME2023), Mexico City, MX.

Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley (2022-07-01). ForceHost: An Open-source Toolchain for Generating Firmware Embedding the Authoring and Rendering of Audio and Force-feedback Haptics. Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME2022), Auckland, NZ.

Linnea Kirby, Paul Buser, Marcelo M. Wanderley (2022-07-01). Introducing the t-Tree: A t-Stick-Based DMI and Hub for Performance and Installation. Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME2022), Auckland, NZ.

Brady Boettcher, Joseph Malloch, Johnty Wang, Marcelo M. Wanderley (2022-06-28). Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. New Interfaces for Musical Expression (NIME) 2022.

Brady Boettcher, John Sullivan, Marcelo M. Wanderley (2022-06-28). Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. New Interfaces for Musical Expression (NIME) 2022.

Travis J. West, Kalun Leung (2022-06-16). Early prototypes and artistic practice with the mubone. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME).

Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickael Begon, Sylvie Gibet, Marcelo M. Wanderley (2022-06-16). Feeling the Effort of Classical Musicians – A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. Proceedings of the 2022 International Conference on New Interfaces for Musical Expression (NIME 2022).

Travis J. West (2022-06-16). Pitch Fingering Systems and the Search for Perfection. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME).

Benjamin Lavastre, Marcelo M. Wanderley (2021-11-15). Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music. Proceedings of the 15th International Symposium on Computer Music Multidisciplinary Research (CMMR), Tokyo, Japan.

Anésio Azevedo Costa Neto, Nivalda Assunção de Araújo, Marcelo M. Wanderley (2021-10-13). Projeto: Cerrado: Unfolding Spaces. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Leandro Costalonga, Daniel Hora, Marcelo Pimenta, Marcelo M. Wanderley (2021-10-13). The Ragpicking DMI Design: The Case for Green Computer Music. 10th International Conference on Digital and Interactive Arts (ARTECH 2021), Aveiro, Portugal.

Marcelo M. Wanderley, Travis West, Josh Rohs, Eduardo A. L. Meneses, Christian Frisson (2021-09-01). The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly 2021 Conference, Trento, Italy.

Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph Malloch, Vincent Cusson, Marcelo M. Wanderley (2021-06-15). Documentation and Replicability in the NIME Community. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021)., Shanghai, China.

P. J. Charles Reimer, Marcelo M. Wanderley (2021-06-15). Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Matthew Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley (2021-06-15). Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Christian Frisson, Mathias Bredholt, Joseph Malloch, Marcelo M. Wanderley (2021-06-15). MapLooper: Live-looping of distributed gesture-to-sound mappings. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Raul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius (2021-06-15). NIME and the Environment: Toward a More Sustainable NIME Practice. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley (2021-06-14). A Visualization Tool to Explore Interactive Sound Installations. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Geise Santos, Johnty Wang, Carolina Medeiros, Marcelo M. Wanderley, Tiago Tavares, Anderson Rocha (2021-06-14). Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Juliette Regimbal, Marcelo M. Wanderley (2021-06-14). Interpolating Audio and Haptic Control Spaces. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Travis West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley (2021-06-14). Making Mappings: Design Criteria for Live Performance. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Takuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley (2021-06-14). The T-Stick Music Creation Project: An approach to building a creative community around a DMI. Proceedings of the 2021 International Conference on New Interfaces for Musical Expression (NIME 2021), Shanghai, China.

Christian Frisson, Julien Decaudin, Mario Sanz-Lopez, Thomas Pietrzak (2020-08-21). Printgets: an Open-Source Toolbox for Designing Vibrotactile Widgets with Industrial-Grade Printed Actuators and Sensors. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Fabio Morreale, Astrid Bin, Andrew McPherson, Paul Stapleton, Marcelo M. Wanderley (2020-07-21). A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Travis West, Baptiste Caramiaux, Marcelo M. Wanderley (2020-07-21). Making Mappings: Examining the Design Process. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Filipe Calegario, Marcelo Wanderley, João Tragtenberg, Johnty Wang, John Sullivan, Eduardo Meneses, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, Josh Rohs (2020-07-21). Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo M. Wanderley (2020-07-21). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Johnty Wang, Eduardo Meneses, Marcelo M. Wanderley (2020-07-21). The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, U.K..

Mathias Kirkegaard, Mathias Bredholt, Christian Frisson, Marcelo M. Wanderley (2020-07-21). TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proceedings of the 2020 International Conference on New Interfaces for Musical Expression (NIME 2020), Birmingham, UK.

Felipe Verdugo, Suzuka Kokubu, Johnty Wang, Marcelo M. Wanderley (2020-07-16). MappEMG: Supporting Musical Expression with Vibrotactile Feedback by Capturing Gestural Features through Electromyography. Proc. of the International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Mathias Kirkegaard, Mathias Bredholt, and Marcelo M. Wanderley (2020-06-27). An intermediate mapping layer for interactive sequencing. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Eduardo A. L. Meneses, Takuto Fukuda, Marcelo M. Wanderley (2020-06-27). Expanding and Embedding a High-level Gesture Vocabulary for the Digital and Augmented Musical Instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Filipe Calegario, João Tragtenberg, Johnty Wang, Ivan Franco, Eduardo A. L. Meneses, Marcelo M. Wanderley (2020-06-27). Open Source DMIs: towards a replication certification for online shared projects of digital musical instruments. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

Ajin Tom, Ankita Singh, Martin Daigle, Fabrice Marandola, Marcelo M. Wanderley (2020-06-18). Haptic Tutor – A haptics-based music education tool for beginners. International Workshop on Haptic and Audio Interaction Design (HAID), Montreal, Canada.

Marcelo M. Wanderley, Mathias Bredholt, Christian Frisson (2020-06-12). A Visualization Tool for the CIRMMT Distinguished Lecture Series. Proc. of the International Conference on Human-Computer Interaction (HCII), Copenhagen, Denmark.

John Sullivan, Marcelo M. Wanderley (2019-10-14). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. 14th International Symposium on Computer Music Multidisciplinary Research, Marseille, France.

Johnty Wang, Jospeh Malloch, Stephen Sinclair, Jonathan Wilansky, Aaron Krajeski, and Marcelo M. Wanderley (2019-10-14). Webmapper: A Tool for Visualizing and Manipulating Mappings in Digital Musical Instruments. Proceedings of the 14th International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille, France.

Ajin Tom, Harish Venkatesan, Ivan Franco, Marcelo M. Wanderley (2019-07-03). Rebuilding and Reinterpreting a Digital Musical Instrument – The Sponge. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Eduardo Meneses, Johnty Wang, Sergio Freire, Marcelo M. Wanderley (2019-06-03). A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Johnty Wang, Axel Mulder, Marcelo M. Wanderley (2019-06-03). Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley (2019-06-01). Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems. Proceedings of the 2019 International Workshop of Haptic and Audio Interaction Design (HAID 2019), Lille, France.

Vanessa Yaremchuk, Carolina B. Medeiros, Marcelo M. Wanderley (2019-06-01). Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). Proceedings of the 2019 International Conference on New Interfaces for Musical Expression (NIME 2019), Porto Alegre, Brazil.

Travis J. West, Alexandra Bachmayer, Sandeep Bhagwati, Joanna Berzowska, Marcelo M. Wanderley (2019-06-01). The Design of the Body:Suit:Score, a Full-Body Vibrotactile Musical Score. Proc. of the International Conference on Human-Computer Interaction (HCII), Orlando, FL, USA.

Song Wang, Marcelo M. Wanderley, Gary Scavone (2019-06-01). The Study of Mapping Strategies Between Excitators of the Single-Reed Woodwind and the Bowed String. Proceedings of the 7th Conference on Sound and Music Technology (CSMT), China.

Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot (2018-10-01). ZenStates: Easy-to-Understand yet Expressive Specifications for Creative Interactive Environments. Proceedings of IEEE Symposium on Visual Languages and Human-Centric Computing, Lisbon, Portugal.

John Sullivan, Marcelo M. Wanderley (2018-07-05). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the Sound and Music Computing Conference, Limassol, Cyprus.

John Sullivan, Alexandra Tibbitts, Brice Gatinet, Marcelo M. Wanderley (2018-06-28). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the 5th International Conference on Movement and Computing (MOCO'18), Genoa, Italy.

Catherine Massie-Laberge, Isabelle Cossette, Marcelo M. Wanderley (2018-06-28). Kinetic Analysis of Hip Motion During Piano Playing. Proceedings of 5th International Conference on Movement Computing (MOCO'18), Genoa, Italy.

Patrick Cowden, Luke Dosiek (2018-06-10). Auditory Displays Of Electric Power Grids. Proc. of the International Conference on Auditory Display.

Eduardo A. L. Meneses, Sérgio Freire, Marcelo M. Wanderley (2018-06-03). GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Alex Nieva, Johnty Wang, Joseph Malloch, Marcelo M. Wanderley (2018-06-03). The T-Stick: Maintaining a 12 year-old digital musical instrument. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Deborah Egloff, Marcelo M. Wanderley, Ilja Frissen (2018-06-01). Haptic Display of Melodic Intervals for Musical Applications. Proceedings of the 2018 IEEE Haptics Symposium, San Francisco, CA, USA.

Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley (2018-06-01). NIME Identity from the Performer’s Perspective. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Joseph Malloch, Marlon Schumacher, Stephen Sinclair, Marcelo M. Wanderley (2018-06-01). The Digital Orchestra Toolbox for MAX. Proceedings of the 2018 International Conference on New Interfaces for Musical Expression (NIME 2018), Blacksburg, VA, USA.

Erivan Goncalves Duarte, Tiago Fernandes Tavares (2017-09-06). A tool for the musical education of Deaf people. .

Eduardo A. L. Meneses, Marcelo M. Wanderley (2017-09-06). New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network. 16th Brazilian Symposium on Computer Music, São Paulo - Brazil.

Patrick Ignoto, Ian Hattwick, Marcelo M. Wanderley (2017-07-24). Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music. 8th International Conference on Applied Human Factors and Ergonomics, Los Angeles, USA.

Johnty Wang, Bob Pritchard, Bryn Nixon, Marcelo M. Wanderley (2017-07-05). Explorations with Digital Control of MIDI-enabled Pipe Organs. Sound and Music Computing.

Johnty Wang, Joseph Malloch, Stéphane Huot, Fanny Chevalier, Marcelo M. Wanderley (2017-07-05). Versioning and Annotation Support for Collaborative Mapping Design. Sound and Music Computing.

Baptiste Caramiaux, Frédéric Bevilacqua, Caroline Palmer and Marcelo M. Wanderley (2017-06-28). Individuality in Piano Performance Depends on Skill Learning. Proceedings of 4th International Conference on Movement Computing (MOCO), London, UK.

ian Hattwick, Marcelo M. Wanderley (2017-06-01). Design of Hardware Systems for Professional Artistic Applications. Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017), Copenhagen, Denmark.

Jeronimo Barbosa, Marcelo M. Wanderley, Stéphane Huot (2017-05-18). Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Proceedings of the 2017 International Conference on New Interfaces for Musical Expression (NIME 2017), Copenhagen, Denmark.

Ian Hattwick, Ivan Franco, Marcelo M. Wanderley (2017-05-18). The Vibropixels: A Scalable Wireless Tactile Display System. Proc. of the International Conference on Human-Computer Interaction (HCII), Vancouver, BC, Canada.

Sandeep Bhagwati, Marcelo M. Wanderley, John Sullivan, Marcello Giordano (2016-09-01). Musicking the Body Electric: The “Body:Suit:Score” as a polyvalent score interface for situational scores. Proceedings of the 2nd International Conference on Technologies for Music Notation and Representation.

Catherine Massie-Laberge, Isabelle Cossette, Marcelo M. Wanderley (2016-07-18). Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Catherine Massie-Laberge, Isabelle Cossette, Marcelo M. Wanderley (2016-07-18). Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances. Proceedings of the International Conference for Music Perception and Cognition, San Francisco, USA.

Ivan Franco, Marcelo M. Wanderley (2016-07-05). The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument. Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research, São Paulo, Brazil.

Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Valérie Lamontagne, Ian Arawjo, Maurizio Martinucci, Chris Salter, Marcelo M. Wanderley (2015-09-25). Composition Techniques for the Ilinx Vibrotactile Garment. Proceedings of the International Computer Music Conference, Denton, TX, USA.

John Sullivan (2015-09-25). Noisebox: Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference, Denton, TX, USA.

Valérie Lamontagne, Maurizio Martinucci, Chris Salter, Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo Wanderley (2015-08-17). The Ilinx Garment: Whole-body Tactile Experience in a Multisensorial Art Installation. 21st International Symposium on Electronic Art, Vancouver, Canada.

Marcello Giordano, Ian Hattwick, Ivan Franco, Deborah Egloff, Valerie Lamontagne, TeZ, Chris Salter and Marcelo Wanderley (2015-07-30). Design and Implementation of a Whole-Body Haptic Suit for Ilinx, a Multisensory Art Installation. Proceedings of the SMC Conference, Maynooth, Ireland.

Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber Ramalho, Marcelo M. Wanderley (2015-06-01). Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

Alfonso Perez Carrillo, Josep-Lluis Arcos, Marcelo M. Wanderley (2015-06-01). Estimation of Guitar Fingering and Plucking Controls based on Multimodal Analysis of Motion, Audio and Musical Score. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR).

Mickaël Tits, Joelle Tilmanne, Nicolas D’Alessandro, Marcelo M. Wanderley (2015-06-01). Feature Extraction and Expertise Analysis of Pianists’ Motion-Captured Finger Gestures. Proceedings of the International Computer Music Conference (ICMC), Denton, TX, USA.

Ian Hattwick, Marcelo M. Wanderley (2015-06-01). Interactive Lighting in the Pearl: Considerations and Implementation. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

Ivan Franco, Marcelo M. Wanderley (2015-06-01). Practical Evaluation of Synthesis Performance on the BeagleBone Black. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME2015), Baton Rouge, LA, USA.

Jeronimo Barbosa, Joseph Malloch, Stéphane Huot, Marcelo M. Wanderley (2015-05-16). What does ‘Evaluation’ mean for the NIME community?. Proceedings of the 2015 International Conference on New Interfaces for Musical Expression (NIME 2015), Baton Rouge, LA, USA.

Ian Hattwick, Joseph Malloch, Marcelo M. Wanderley (2014-06-30). Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux, Fabrice Marandola (2014-06-30). Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Thor Kell, Marcelo M. Wanderley (2014-06-01). A High-Level Review of Mappings in Musical iOS Applications. Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC), Athens, Greece.

Vanessa Yaremchuk, Marcelo M. Wanderley (2014-06-01). Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. Proceedings of 1st International Conference on Movement Computing (MOCO'14), Paris, France.

Clayton Rosa Mamedes, Mailis G. Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira Lopes (2014-06-01). Composing for DMIs – Entoa, music for Intonaspacio. Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME 2014), London, UK.

Benjamin Bacon, Marcelo M. Wanderley, Fabrice Marandola (2014-06-01). Handedness in Percussion Sight-Reading. Proceedings of 1st International Conference on Movement Computing (MOCO'14), Paris, France.

Mailis G. Rodrigues, Marcelo M. Wanderley, Paulo F. Lopes (2014-06-01). Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers.

Michel Bernays, Philippe Depalle, Marcelo M. Wanderley (2014-06-01). Perception and Identification of Piano timbre Nuances in Digital Performance Simulation vs. Audio Recordings. Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM'14), Berlin, Germany.

Emma Frid, Marcello Giordano, Marlon Schumacher, Marcelo M. Wanderley (2014-06-01). Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. Proceedings of the Joint 2014 International Computer Music Conference/Sound and Music Computing Conference (ICMC/SMC), Athens, Greece.

Sofia Lourenço, Luis Gustavo Martins, Mikaël Tits, Marcelo M. Wanderley, R. Megre (2014-06-01). Towards a multimodal analysis of European Piano Schools of Music Performance. Proceedings of the 9th Conference on Interdisciplinary Musicology (CIM'14), Berlin, Germany.

Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley (2014-06-01). Vibrotactile Feedback for an Open Air Music Controller. 10th International Symposium, CMMR 2013, Marseille, France, October 15-18, 2013. Revised Selected Papers.

Thor Kell, Marcelo M. Wanderley (2013-06-01). A Quantitative Review of Mappings in Musical iOS Applications. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Flávio L. Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley (2013-06-01). Alternatives in Network Transport Protocols for Audio Streaming Applications. Proceedings of the 2013 International Computer Music Conference (ICMC), Perth, Australia.

Mahtab Ghamsari, Amandine Pras, Marcelo M. Wanderley (2013-06-01). Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

R. Michael Winters, Ian Hattwick, Marcelo M. Wanderley (2013-06-01). Emotional Data in Music Performance: Two Audio Environments for the Emotional Imaging Composer. Proceedings of the 3rd International Conference on Music & Emotion (ICME 2013), Jyväskylä, Finland.

Ioana Dalca, Bradley W. Vines, Marcus T. Pearce, Marcelo M. Wanderley (2013-06-01). Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

François Cabrol, Michael J. McGuffin, Marlon Schumacher, Marcelo M. Wanderley (2013-06-01). GenSession: a Flexible Zoomable User Interface for Melody Generation. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Marcello Giordano, Marcelo M. Wanderley (2013-06-01). Measuring the Haptic Behavior of an Acoustic Guitar by Means of a Vibrating Actuator. Proceedings of the 2013 International Congress on Acoustics (ICA 2013), Montreal, Qc, Canada.

Euler Teixeira, Maurício Loureiro, Hani Yehia, Marcelo M. Wanderley (2013-06-01). Motion Recurrence Analysis in Music Performances. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Avrum Hollinger, Marcelo M. Wanderley (2013-06-01). MRI-Compatible Optically-Sensed Cello. IEEE Sensors Conference.

Flávio L. Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley (2013-06-01). Network Music with Medusa: A comparison of tempo alignment in existing MIDI APIs. Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), Stockholm, Sweden.

Marcello Giordano, Marcelo M. Wanderley (2013-06-01). Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. Proceedings of the 2013 Haptics-Audio Interaction Design Workshop (HAID2013), Daejeon, Korea.

R. Michael Winters, Marcelo M. Wanderley (2013-06-01). Sonification of Emotion: Strategies for Continuous Display of Arousal and Valence. Proceedings of the 3rd International Conference on Music & Emotion (ICME 2013), Jyväskylä, Finland.

Gregory Burlet, Marcelo M. Wanderley, Ichiro Fujinaga (2013-06-01). Stompboxes: Kicking the Habit. Proceedings of the 2013 International Conference on New Interfaces for Musical Expression (NIME 2013), Daejeon, Korea.

Clayton Rosa Mamedes, Marcelo M. Wanderley, Jônatas Manzolli, Denise Lopes Garcia (2013-06-01). Strategies for mapping control in interactive audiovisual installations. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Benjamin Bacon, Marcelo M. Wanderley (2013-06-01). The Effects of Handedness in Percussion Performative Gesture. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Marlon Schumacher, Marcello Giordano, Marcelo M. Wanderley and Sean Ferguson (2013-06-01). Vibrotactile Notifications for Live Electronics Performance: A Prototype System. Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR2013), Marseille, France.

Clayton Rosa Mamedes, Jose Fornari, Jônatas Manzolli, Denise Hortência Lopes Garcia (2012-09-14). Abstrações: apontamentos sobre o comportamento de visitantes. Encontro Internacional de Música e Arte Sonora, Juiz de Fora, Brasil.

Clayton Rosa Mamedes, Jônatas Manzolli, Denise Hortência Lopes Garcia, Jose Fornari (2012-08-31). Cerejeira: delimitadores ambientais para controle de diversidade utilizando algoritmos genéticos interativos. XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM), João Pessoa, Brasil.

R. Michael Winters, Marcelo M. Wanderley (2012-06-18). New Directions for the Sonification of Expressive Movement in Music Performance. International Conference on Auditory Display, Atlanta, Georgia, USA.

Ian Hattwick, Marcelo M. Wanderley (2012-06-01). A Dimension Space for Evaluating Collaborative Musical Performance Systems. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Gabriel Vigliensoni, Marcelo M. Wanderley (2012-06-01). A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Marcello Giordano, Stephen Sinclair, Marcelo M. Wanderley (2012-06-01). Bowing a Vibration-enhanced Force Feedback Device. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Delphine Chadefaux, Marcelo M. Wanderley, Jean-Loïc Le Carrou, Benoît Fabre, Laurent Daudet (2012-06-01). Experimental Study of the Musician/Instrument Interaction in the Case of the Concert Harp. Proceedings of Acoustics 2012, Nantes, France.

Olivier Tache, Stephen Sinclair, Marcelo M. Wanderley (2012-06-01). Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Simulations. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

Alfonso Perez Carrillo, Marcelo M. Wanderley (2012-06-01). Learning and Extraction of Violin Instrumental Controls from Audio Signal. Proceedings of the MIRUM Workshop, ACM Multimedia Conference, Nara, Japan.

Avrum Hollinger, Marcelo M. Wanderley (2012-06-01). Optoelectronic Acquisition and Control Board for Musical Applications. Proceedings of the 2012 International Conference on New Interfaces for Musical Expression (NIME 2012), Ann Arbor, MI, USA.

François Germain, Jonathan Abel, Philippe Depalle, Marcelo M. Wanderley (2012-06-01). Uniform Noise Sequences for Nonlinear System Identification. Proceedings of the 2012 International Conference on Digital Audio Effects (DAFx2012), York, UK.

Clayton Rosa Mamedes, Denise Hortência Lopes Garcia, Jose Fornari, Jônatas Manzolli (2011-10-17). Abstrações: an audiovisual installation based on motion recognizing. 4th International Congress on Image and Signal Processing CISP 2011 / IEEE, Shanghai, China.

Carolina Brum Medeiros, Marcelo M. Wanderley (2011-07-01). Evaluation of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument. Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011).

Marcello Giordano, Marcelo M. Wanderley (2011-06-01). A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation. Proceedings of the 2011 International Conference on Sound and Music Computing (SMC2011), Padova, Italy.

MArk T. Marshall, Marcelo M. Wanderley (2011-06-01). Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME 2011), Oslo, Norway.

Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward, Gary Scavone (2011-06-01). Noise-free Haptic Interaction with a Bowed-string Acoustic Model. Proceedings of the IEEE World Haptics Conference, Istanbul, Turkey.

Jean Bresson, Marlon Schumacher (2011-01-01). Representation and Interchange of Sound Spatialization Data for Compositional Applications. Huddersfield, UK.

Avrum Hollinger, Joseph Thibodeau, Marcelo M. Wanderley (2010-06-01). An Embedded Hardware Platform for Fungible Interfaces. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Florian Grond, Thomas Hermann, Vincent Verfaille, Marcelo M. Wanderley (2010-06-01). Methods for the Effective Sonification of of Clarinetists’ Ancillary Gestures. Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, Bielefeld, Germany, February 2009, Revised Selected Papers. LNAI 5934.

Tommaso Bianco, Marcelo M. Wanderley, Frederic Bevilacqua (2010-06-01). Mimicry of Tone Production: Results from a pilot experiment. Proceedings of the 2010 Sound and Music Computing Conference (SMC2010), Barcelona, Spain.

Marije A. J. Baalman, Vincent de Belleval, Joseph Malloch, Joseph Thibodeau, Christopher L. Salter, Marcelo M. Wanderley (2010-06-01). SENSE/STAGE – Low Cost, Open Source Wireless Sensor Infrastructure for Live Performance and Interactive Real-time Environments. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Gabriel Vigliensoni, Marcelo M. Wanderley (2010-06-01). SoundCatcher: Explorations in Audio-Looping and Rime-Freezing Using an Open-Air Gestural Controller.. Proceedings of the 2010 international Computer Music Conference (ICMC2010), New York, NY, USA.

Florian Grond, Alexandre Bouënard, Thomas Hermann, Marcelo M. Wanderley (2010-06-01). Virtual Auditory Myography of Timpani-playing Avatars. Proceedings of the 2010 International Conference on Digital Audio Effects (DAFx2010), Graz, Austria.

Fernando F. Souza, Adolfo Maia Jr., Marcelo M. Wanderley (2010-05-01). An Input Device to Control Granular Sound Processes. Proceedings of the 8th Congresso de Engenharia de Áudio/14a Convenção Nacional da AES Brasil, São Paulo, SP, Brazil.

Marlon Schumacher, Jean Bresson (2010-01-01). Compositional Control of Periphonic Sound Spatialization. Paris, France.

Jean Bresson, Carlos Agnon, Marlon Schumacher (2010-01-01). Représentation des donneés de contrôle pour la spatialiasation dans OpenMusic. Rennes, France.

Fernando Rocha and Joseph Malloch (2009-07-23). The Hyper-Kalimba: Developing and Augmented Instrument from a Performer’s Perspective. Proceedings of the Sound and Music Computing Conference (SMC).

Stephen Sinclair, Jean-Loup Florens, Marcelo M. Wanderley (2009-06-01). A Haptic Simulator for Gestural Interaction with the Bowed String. Proceedings of the 10ème Congrès Français d’Acoustique, Lyon, France.

Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet (2009-06-01). Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Stephen Sinclair, Gary Scavone, Marcelo M. Wanderley (2009-06-01). Audio-Haptic Interaction with the Digital Waveguide Bowed String. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Michael Collicutt, Carmine Casciato, Marcelo M. Wanderley (2009-06-01). From Real to Virtual: A Comparison of Input Devices for Percussion Tasks. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Mark T. Marshall, Joseph Malloch, Marcelo M. Wanderley (2009-06-01). Gestural Control of Sound Spatialization for Live Musical Performance. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS series Vol. 5085.

Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley (2009-06-01). Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures. Proceedings of the International Conference on Computer Animation and Social Agents (CASA'09), Amsterdam, The Netherlands.

Barbara Mazzarino, MaNuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo M. Wanderley (2009-06-01). Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085.

Otso Lähdeoja, Marcelo M. Wanderley, Joseph Malloch (2009-06-01). Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects. Proceedings of the 2009 Sound and Music Computing Conference (SMC2009), Porto, Portugal.

Jason A. Hockman, Marcelo M. Wanderley, Ichiro Fujinaga (2009-06-01). Real-time Phase Vocoder Manipulation by Runner’s Pace. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Marije A. J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, Marcelo M. Wanderley (2009-06-01). Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME 2009), Pittsburgh, PA, USA.

Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, Frederic Bevilacqua (2009-06-01). String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS series Vol. 5085.

Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, Sean Ferguson (2009-06-01). The CIRMMT/McGill Digital Orchestra Project. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Mark Zadel, Stephen Sinclair, Marcelo M. Wanderley (2009-01-01). Haptic Feedback for Different Strokes Using DIMPLE. Proceedings of the 2009 International Computer Music Conference (ICMC2009), Montreal, Qc, Canada.

Mark Zadel, Gary Scavone (2008-08-01). Recent Developments in the Different Strokes Environment. Proceedings of the 2008 International Computer Music Conference (ICMC).

Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2008-07-03). A network-based framework for collaborative development and performance of digital musical instruments. CMMR 2007, - Proceedings of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969, Berlin, Germany.

Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet (2008-06-01). Analysis of Percussion Grip for Physically Based Character Animation. Proceedings of the 5th International Conference on Enactive Interfaces (ENACTIVE 2008), Pisa, Italy.

Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley (2008-06-01). Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. Genova, Italy.

Georgios Marentakis, Joseph Malloch, Nils Peters, Mark Marshall, Marcelo Wanderley, Stephen McAdams (2008-06-01). Influence of Performance Gestures on the Identification of Spatial Sound Trajectories in a Concert Hall. Proceedings of the 2008 International Conference on Auditory Display (ICAD 2008), Paris, France.

Erwin Schoonderwaldt, Marcelo M. Wanderley. (2007-12-01). Visualization of Bowing Gestures for Feedback: The Hodgson Plot. Proceedings of the I-Maestro Workshop 2007, Barcelona, Spain.

Stephen Sinclair, Marcelo M. Wanderley (2007-11-22). Extending DIMPLE: a rigid body haptic simulator for interactive control of sound. Proceedings of the International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley (2007-07-02). From controller to sound: Tools for collaborative development of digital musical instruments. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Doug Van Nort, Marcelo M. Wanderley (2007-06-07). Control Strategies for Navigation of Complex Sonic Spaces. Proc. of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Joseph Malloch, Marcelo M. Wanderley (2007-06-07). The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

David M. Birnbaum, Marcelo M. Wanderley (2007-06-01). A Systematic Approach to Musical Vibrotactile Feedback. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Rodolphe Koehly, Denis Curtil, Theodorus van de Ven, Marcelo M. Wanderley (2007-06-01). Carbon Black Loaded Paper: An Intelligent Substrate for Electronic Sensors Design. Proceedings of the IARIGAI 2007 Conference, Grenoble, France.

Doug Van Nort, David Gauthier, Sha Xin Wei, Marcelo M. Wanderley (2007-06-01). Extraction of Gestural Meaning from a Fabric-Based Instrument. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley (2007-06-01). fMRI-Compatible Electronic Controllers. Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley (2007-06-01). Indirect Acquisition of Fingerings of Harmonic Notes on the Flute. Proceedings of the 2007 International Computer Music Conference (ICMC2007), Copenhagen, Denmark.

Carmine Casciato, Marcelo M. Wanderley (2007-06-01). Lessons from Long Term Gestural Controller Users. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

David Birnbaum, Freida Abtan, Sha Xin Wei, Marcelo M. Wanderley (2007-06-01). Mapping and Dimensionality of a Cloth-based Sound Instrument. Proceedings of the 2007 Sound and Music Computing Conference (SMC2007), Lefkada, Greece.

Mark T. Marshall, Joseph Malloch, Marcelo M. Wanderley (2007-06-01). Non-Conscious Control of Sound Spatialization. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE2007), Grenoble, France.

Manfred Nusseck, Marcelo M. Wanderley, Erwin Schoonderwaldt (2007-06-01). Validating Kinematic Displays for the Perception of Musical Performance. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Erwin Schoonderwaldt, Stephen Sinclair, Marcelo M. Wanderley (2007-06-01). Why Do We Need 5-DOF Force Feedback? The case of Violin Bowing. Proceedings of the 4th International Conference on Enactive Interfaces (ENACTIVE 2007), Grenoble, France.

Stephen Sinclair, Marcelo M. Wanderley (2007-01-01). Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems. Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, USA.

Stephen Sinclair, Marcelo M. Wanderley (2007-01-01). Using PureData to control a haptically-enabled virtual environment. Proceedings of the PureData Convention '07, Montreal, Qc, Canada.

Doug Van Nort, Philippe Depalle (2006-09-20). A Stochastic State-Space Phase Vocoder for Synthesis of Roughness. Proc. of the Int. Conf. on Digital Audio Effects (DAFx2006), Montreal, Quebec, Canada.

Doug Van Nort, Marcelo M. Wanderley (2006-07-02). Exploring The Effect of Mapping Trajectories on Musical Performance. Proc. of the 2006 Sound and Music Computing Conference (SMC2006), Marseille, France.

Vincent Verfaille, Oswald Quek, Marcelo M. Wanderley (2006-07-01). Sonification of Musician’s Ancillary Gestures. Proceedings of the 2006 International Conference on Auditory Display (ICAD2006), London, England.

Tellef Kvifte, Alexander Refsum Jensenius (2006-06-04). Towards a Coherent Terminology and Model of Instrument Description and Design. Proceedings of the International Conference on New Interfaces for Musical Expression.

Alexander R. Jensenius, Tellef Kvifte, Rolf Inge Godøy (2006-06-04). Towards a Gesture Description Interchange Format. Proceedings of the International Conference on New Interfaces for Musical Expression, Paris: IRCAM - Centre Pompidou.

Joseph Malloch, David Birnbaum, Elliot Sinyor, Marcelo M. Wanderley (2006-06-01). A New Conceptual Framework for Digital Musical Instruments. Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Qc, Canada.

Alexander R. Jensenius, Rodolphe Koehly, Marcelo M. Wanderley (2006-06-01). Building Low-Cost Music Controllers. CMMR 2005 - Proceedings of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902.

Anne-Marie Burns and Marcelo M. Wanderley (2006-06-01). Computer Vision Method for Guitarist Fingering Retrieval. Proceedings of the 2006 Sound and Music Computing Conference (SMC2006), Marseille, France.

Mark Zadel, Gary Scavone (2006-06-01). Different Strokes: a Prototype Software System for Laptop Performance and Improvisation. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Mark Marshall, Marcelo M. Wanderley (2006-06-01). Evaluation of Sensors as Input Devices for Computer Music Interfaces. CMMR 2005 - Proceedings of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902.

Mark T. Marshall, Nils Peters, Alexander R. Jensenius, Julien Boissinot, Marcelo M. Wanderley, Jonas Braasch (2006-06-01). On the Development of a System for Gesture Control of Spatialization. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, LA, USA.

Rodolphe Koehly, Marcelo M. Wanderley, Denis Curtil (2006-06-01). Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Marcelo M. Wanderley, Joseph Malloch, David Birnbaum, Elliot Sinyor, Julien Boissinot (2006-06-01). SensorWiki.org: A Collaborative Resource on Transducers for Researchers and Interface Designers. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Vincent Verfaille, Julien Boissinot, Philippe Depalle, Marcelo M. Wanderley (2006-06-01). Ssynth: A Real Time Additive Synthesizer with Flexible Control. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, LA, USA.

Gary Scavone, Marcelo M. Wanderley (2006-06-01). The Music Technology Program at McGill University. Proceedings of the 2004 International Computer Music Conference (ICMC2004), Miami, FL, USA.

Mark T. Marshall, Marcelo M. Wanderley (2006-06-01). Vibrotactile Feedback in Digital Musical Instruments. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Anne-Marie Burns, Marcelo M. Wanderley (2006-06-01). Visual Methods for the Retrieval of Guitarist Fingering. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France.

Doug Van Nort, Marcelo M. Wanderley (2006-01-01). The LoM Mapping Toolbox for Max/MSP/Jitter. Proceedings of the 2006 International Computer Music Conference (ICMC2006), New Orleans, USA.

Alexander R. Jensenius, Rolf Inge Godoy, Marcelo M. Wanderley (2005-06-01). Developing Tools for Studying Musical Gestures within the MAX/MSP/JITTER Environment. Proceedings of the 2005 International Computer Music Conference (ICMC2005), Barcelona, Spain.

Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca, Daniel J. Levitin (2005-06-01). Dimensions of Emotion in Expressive Musical Performance. Annals of the New York Academy of Sciences.

Paul Kolesnik, Marcelo M. Wanderley (2005-06-01). Implementation of the Discrete Hidden Markov Model in Max / MSP Environment. Proceedings of the FLAIRS 2005 Conference, Miami, FL, USA.

Andrey da Silva, Marcelo M. Wanderley, Gary Scavone (2005-06-01). On the Use of Flute Air Jet as a Musical Control Variable. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, BC, Canada.

David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley (2005-06-01). Towards a Dimension Space for Musical Artifacts. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, BC, Canada.

Ivan Franco (2005-05-31). The AirStick: A Free-gesture Controller Using Infrared Sensing. Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME 2006), Vancouver, Canada.

Elliot Sinyor, Marcelo M. Wanderley (2005-05-01). Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, Canada.

Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle (2004-06-01). On the Choice of Mappings based on Geometrical Properties. Proceedings of the 2004 International Conference on New Interfaces for Musical Expression (NIME 2004), Hamamatsu, Japan.

Brad Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina Nuzzo, Daniel Levitin (2004-06-01). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Gesture-Based Communication in Human-Computer Interaction. GW 2003. Lecture Notes in Computer Science, vol 2915.

Paul Kolesnik, Marcelo M. Wanderley (2004-06-01). Recognition, Analysis and Performance with Expressive Conducting Gestures. Proceedings of the 2004 International Computer Music Conference (ICMC2004), Miami, FL, USA.

Manuel Peinado, Bruno Herbelin, Marcelo Wanderley, Benoit Le Callennec, Ronan Boulic, Daniel Thalmann (2004-06-01). Towards Configurable Motion Capture with Prioritized Inverse Kinematics. Proceedings of the Third International Workshop on Virtual Rehabilitation (IWVR2004), Lausanne, Switzerland.

B. Vines, M. M. Wanderley, C. Krumhansl, R. Nuzzo, D. Levitin (2004-01-01). Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?. Genova, Italy.

Caroline Traube, Philippe Depalle, Marcelo M. Wanderley (2003-06-01). Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. Proceedings of the 2003 International Conference on New Interfaces for Musical Expression (NIME 2003), Montreal, Qc, Canada.

Marcelo M. Wanderley (2002-06-01). Quantitative Analysis of Non-Obvious Performer Gestures. Gesture and Sign Language in Human-Computer Interaction - Proceedings of Gesture Workshop 2001, London, UK.

Andy Hunt, Marcelo M. Wanderley, Matt Paradis (2002-06-01). The Importance of Parameter Mapping in Electronic Instrument Design. Proceedings of the 2002 International Conference on New Interfaces for Musical Expression (NIME 2002), Dublin, Ireland.

M. M. Wanderley, P. Depalle (2001-12-01). Gesturally-Controlled Digital Audio Effects. Proceedings of the COST-6 Conference on Digital Audio Effects (DAFx2001), Limerick, Ireland.

M. M. Wanderley, P. Depalle, O. Warusfel (1999-01-01). Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. Proceedings of the international Computer Music Conference.

Pierrick Uro (2025-11-30). Interaction, Space, and Copresence in Co-Located Mixed Reality. Ph.D. Thesis, McGill Univeristy/Université de Lille, Montreal, Qc, Canada/Lille, France.

Benjamin Lavastre (2025-11-24). Instrumental Interaction V pour 3 Karlax, ensemble et électronique. Ph.D. Thesis, McGill University, Montréal, Qc, Canada.

Travis West (2025-03-21). SYGALDRY: Reusable Software for Making Digital Musical Instruments. PhD Thesis, McGill University/Université de Lille, Montreal, Qc, Canada/Lille, France.

Valérian Fraisse (2024-12-13). From Sound Art to Soundscape: A research-creation approach for designing and evaluating public space sound installations. Ph.D. Thesis, McGill University/Sorbonne University, Montreal, Qc, Canada/Paris, France.

Eduardo A. L. Meneses (2022-05-01). Iterative Design in DMIs and AMIs: Expanding and embedding a high-level gesture vocabulary for the T-Stick and GuitarAMI. Ph.D. Thesis, McGill University, Montreal, Qc, Canada.

Johnty Wang (2022-01-10). Analysis of Wireless Interface Latency and Usability for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Qc, Canada.

John Sullivan (2021-04-15). Built to Perform: Designing Digital Musical Instruments for Professional Use. Ph.D. Thesis, McGill University, Montreal, Canada.

Jeronimo Barbosa (2019-07-09). Direct Manipulation for Musical Interfaces Based on Visual Software: Design and Evaluation. Ph.D. Thesis, McGill University, Montreal, Canada.

Catherine Massie-Laberge (2019-07-01). Kinematic, Kinetic and Perceptual Analyses of Piano Performances. Ph.D. Thesis, McGill University, Montreal, Canada.

Ivan Franco (2019-04-15). A framework for embedded digital musical instruments. McGill University, Montreal, Canada.

Ian Hattwick (2017-11-08). The Creation of Hardware Systems for Professional Artistic Productions. Ph.D. Thesis, McGill University, McGill University, Canada.

Thais Fernandes Santos (2017-06-06). The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance. D.Mus Thesis, Universidade Federal de Minas Gerais, Belo Horizonte, Brazil.

Marlon Schumacher (2016-08-01). A Framework for Computer-Aided Composition of Space, Gesture, and Sound. Conception, Design, and Applications. Ph.D. Thesis, McGill University, Montreal, Canada.

Marcello Giordano (2016-04-12). Vibrotactile Feedback and Stimulation in Music Performance. Ph.D. Thesis, McGill University, Montreal, Canada.

Carolina Brum Medeiros (2015-04-15). Advanced Instrumentation and Sensor Fusion Methods in Input Devices for Musical Expression. Ph.D. Thesis, McGill University, Montreal, Canada.

Avrum Hollinger (2014-04-13). Optical Sensing, Embedded Systems, and Musical Interfaces for Functional Neuroimaging. Ph.D. Thesis, McGill University, Montreal, Canada.

Joseph Malloch (2013-11-04). A Framework and Tools for Mapping of Digital Musical Instruments. Ph.D. thesis, Music Technology, Montreal, Canada.

Stephen Sinclair (2012-08-14). Velocity-driven Audio-Haptic Interaction With Real-Time Digital Acoustic Models. Ph.D. Thesis, McGill University, Montreal, Canada.

Mark Zadel (2012-08-01). Graphical Performance Software in Contexts: Explorations with Different Strokes. Ph.D. Thesis, McGill University, Montreal, Canada.

Cléo Palacio-Quintin (2012-05-17). Composition d’œuvres pour hyper-flûtes et traitement audionumérique interactif. D.Mus. Thesis, Université de Montréal, Montreal, Canada.

Rodolphe Koehly (2011-09-07). Fabrication of Sustainable Resistive-Based Paper Touch Sensors: Application to Music Technology. Ph.D. Thesis, McGill University, Montreal, Canada.

Doug Van Nort (2010-01-01). Modular and Adaptive Control of Sound Processing. Ph.D. Thesis, McGill University, Montreal, Canada.

Alexandre Bouënard (2009-12-10). Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis. Ph.D. Thesis, Université de Bretagne Sud, Bretagne, France.

Mark T. Marshall (2008-04-01). Physical Interface Design for Digital Musical Instruments. Ph.D. Thesis, McGill University, Montreal, Canada.

Oren Ronen (2025-11-18). Analyzing Vibrotactile Feedback Strategies Across Diverse Digital Musical Instruments. M.A. Thesis, McGill University, Montreal, QC, Canada.

Albert-Ngabo Niyonsenga (2024-08-02). Reliability Centered Approaches for Digital Musical Interface Design. M.A. Thesis, McGill University, Montreal, QC, Canada.

Yü Fang (2024-04-12). MAHW: A self-contained digital whammy bar add-on for electric guitars. M.A. Thesis, McGill University, Montreal, QC, Canada.

Paul Buser (2023-09-19). Constructing a T-Forest. M.A. Thesis, McGill University, Montreal, Qc, Canada.

Brady Boettcher (2023-07-15). Developing Maturity in DMIs and Mapping Tools. M.A. Thesis, McGill University, Montreal, Qc, Canada.

P. J. Charles Reimer (2023-06-16). Longitudinal Evaluation of User Experience with Digital Musical Instruments: Development and Demonstration of a New Method. M.A. Thesis, McGill University, Montreal, Qc, Canada.

Patrick Cowden (2023-03-15). Embedded Acquisition Device for the Sonification of AC Mains Parameters. M.A. Thesis, McGill University, Montreal, Qc, Canada.

Mathias Kirkegaard (2021-04-15). Integrating 1-DoF Force Feedback Interactions In Self-Contained DMIs. M.A. Thesis, McGill University, Montreal, Canada.

Mathias Bredholt (2021-04-15). Live-looping of Distributed Gesture-to-sound Mappings. M.A. Thesis, McGill University, Montreal, Canada.

Travis West (2020-08-01). Making Mappings: Examining the Design Process with Libmapper and the T-Stick. M.A. Thesis, McGill University, Montreal, Canada.

Aditya Tirumala Bukkapatnam (2019-07-01). A Pre-Characterized Toolkit for Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Ian Marci (2018-11-01). Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Alex Nieva (2018-10-01). Maintenance Strategies and Design Recommendations on Input Devices for Musical Expression. M.A. Thesis, McGill University, Montreal, Canada.

Patrick Ignoto (2018-06-01). Development and implementation of a vibrotactile click track to assist contemporary music conducting. M.A. Thesis, McGill University, Montreal, Canada.

Catherine Massie-Laberge (2014-12-15). Toward a systematized pedagogy of musical expression: an observational study of instrumental teaching. Montreal, Canada.

Julian Vogels (2014-11-29). Harmonica-inspired digital musical instrument design based on an existing gestural performance repertoire. M.A. Thesis, McGill University, Montreal, Canada.

Benjamin Bacon (2014-11-17). The Effects of Handedness in Percussion Performance. M.A. Thesis, McGill University, Montreal, Canada.

Thor Kell (2014-06-27). Musical Mapping of Two-Dimensional Touch-Based Control Layouts. M.A. Thesis, McGill University, Montreal, Canada.

Mahtab Ghamsari-Esfahani (2013-12-12). An Evaluation of the role of Mapping in Skill Acquisition on Digital Musical Instruments. M.A. Thesis, McGill University, Montreal, Canada.

Aaron Krajeski (2013-11-01). A Flexible Tool for the Visualization of Musical Mapping Networks. M.A. thesis, McGill University, Montreal, Canada.

Jonathan Wilansky (2013-11-01). A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments. M.A. thesis, McGill University.

R. Michael Winters IV (2013-07-01). Exploring Music through Sound: Sonification of Emotion, Gesture, and Corpora. M.A. Thesis,. McGill University, Montreal, Canada.

Bruno Angeles (2012-12-01). Conceptual Integration and User Interface Metaphor for the Multi-Touch Control of Recorded Audio. M.A. Thesis, McGill University, Montreal, Canada.

Vijay Rudraraju (2011-12-01). A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks. M.A. thesis, McGill University, Montreal, Canada.

François G. Germain (2011-10-01). A Nonlinear Analysis Framework for Electronic Synthesizer Circuits. M.A. Thesis, McGill University, Montreal, Canada.

Gabriel Vigliensoni (2011-08-01). Touchless Gestural Control of Concatenative Sound Synthesis. M.A. Thesis, McGill University, Montreal, Canada.

Joseph Thibodeau (2011-01-15). Trumpet Augmentation: Rebirth and Symbiosis of an Acoustic Instrument. M.A. Thesis, McGill University, Montreal, Canada.

Alexandre Savard (2009-02-01). When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians’ Ancillary Gestures. M.A. Thesis, McGill University, Montreal, Canada.

Avrum Hollinger (2008-06-16). Design of fMRI-compatible electronic musical interfaces. M.A. Thesis, McGill University, Montreal, Canada.

David Birnbaum (2007-10-01). Musical Vibrotactile Feedback. M.A. Thesis, McGill University, Montreal, Canada.

Philippe Zaborowski (2007-08-31). A Novel Input Device For Thumb Control. M.A. Thesis, McGill University, Montreal, Canada.

Carmine Casciato (2007-08-01). On the Choice of Gestural Controllers for Musical Applications: An evaluation of the Buchla Lightning II and the RadioDrum. M.A. Thesis, McGill University, Montreal, Canada.

Joseph Malloch (2007-07-02). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. M.A. thesis, McGill University, Montreal, Canada.

Stephen Sinclair (2007-06-18). Force-Feedback Hand Controllers for Musical Interaction. M.A. Thesis, McGill University, Montreal, Canada.

Anne-Marie Burns (2007-02-15). Computer Vision Methods for Guitarist Left-Hand Fingering Recognition. M.A. Thesis, McGill University, Montreal, Canada.

Elliot Sinyor (2006-10-01). Digital Musical Instruments: A Design Approach Based on Moving Mechanical Systems. M.A. Thesis, McGill University, Montreal, Canada.

Paul Kolesnik (2004-06-19). Conducting Gesture Recognition, Analysis and Performance System. M.A. Thesis, McGill University, Montreal, Canada.

Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley (2009-09-01). Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis. .

Alexandre Bouënard, Marcelo  M. Wanderley, Sylvie Gibet (2009-01-01). Analysis of Timpani Preparatory Gesture Parameterization. International Gesture Workshop.

Anne-Marie Burns, Barbara Mazzarino (2005-05-01). Finger Tracking Methods Using EyesWeb. .

L. Campbell, M.-J. Chagnon, M. M. Wanderley (2005-01-01). On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists. Input Devices and Music Interaction Laboratory (PDF document, 584 kbytes) Copyright: McGill University.

L. Campbell (2005-01-01). The Observation of Movement. Report MUMT-609 Seminar. Input Devices and Music Interaction Laboratory (PDF document, 432 kbytes) Copyright: McGill University.

Charles Verron (2005-01-01). Traitement et visualisation de données gestuelles captées par Optotrak. Input Devices and Music Interaction Laboratory (PDF document, 1.9 Mbytes) Copyright: McGill University.

Mark Zadel, Paul C. Kosek, Marcelo M. Wanderley (2004-06-30). An Inertial, Pliable Interface. An Inertial, Pliable Interface.

M. M. Wanderley, N. Middleton, C. McKay, W. Hatch, B. W. Vines (2004-01-01). Expressive Movements of Clarinetists: Quantification and Musical Considerations. (PDF document, 1.6 Mbytes) Copyright: McGill University.

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