Books

  • Marcelo M. Wanderley and Joseph Malloch (guest editors). Advances in the Design of Mapping for Computer Music. Computer Music Journal, 38(3), Fall 2014.

Book Chapters

  • Marcelo M. Wanderley. “Mapping Strategies in Digital Musical Instruments: Concepts and tools.” In Annie Luciani, Olivier Tache and Nicholas Castagné, eds. Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011, Enactive System Books, pp. 183-190, 2013.
  • Olivier Tache, Steve Sinclair, Jean-Loup Florens and Marcelo M. Wanderley. “Qualités Tactiles et Sonores dans le Jeu Instrumental de Cordes Frottées: Exploration par la simulation.” In Annie Luciani, Olivier Tache and Nicholas Castagné, eds. Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011, Enactive System Books, pp. 225-242, 2013.
  • Joseph Malloch, Stephen Sinclair, Avrum Hollinger and Marcelo M. Wanderley. "Input Devices and Music Interaction" In Jorge Solis and Kia Ng, eds. Musical Robots and Interactive Music Systems, Springer Verlag, 2011.
  • Alexander Refsum Jensenius, Marcelo M. Wanderley, Rolf Inge Godøy and Marc Leman. “Musical Gesture: Concepts and Methods in Research”. In Rolf Inge Godøy and Marc Leman, eds. Musical Gestures: Sound, Movement and Meaning. New York: Routledge, pp 12-35, 2010.
  • Marcelo M. Wanderley and Bradley Vines. “Ancillary Gestures of Clarinettists”. In A. Gritten and E. King, eds. Music and Gesture, Ashgate Publishing, 2006.
  • Claude Cadoz and Marcelo M. Wanderley. "Gesture-Music". In M. Wanderley and M. Battier (eds): Trends in Gestural Control of Music. Paris: IRCAM - Centre Pompidou, 2000.
  • Marcelo M. Wanderley and Philippe Depalle. "Contrôle Gestuel de la Synthèse Sonore". In H. Vinet and F. Delalande (eds): Interfaces Homme-Machine et Creation Musicale. Paris: Hermès Science Publishing, 1999.

Journal Papers

  • Carolina B. Medeiros and Marcelo M. Wanderley. “A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression” Sensors Journal, 2014. 14(8):13556-13591.
  • R. Michael Winters and Marcelo M. Wanderley. “Sonification of Emotion: Strategies and Results from the Intersection with Music.” Organised Sound, 19(1):60-69, 2014.
  • Rodrigo A. Seger, Marcelo M. Wanderley and Alessandro L. Koerich. “Automatic Detection of Musicians' Ancillary Gestures based on Video Analysis.” Expert Systems with Applications vol. 41, pp. 2098-2106, 2014.
  • Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley and Laurent Daudet. “Gestural strategies in the harp performance.” To appear in Acta Acustica united with Acustica, 2014.
  • Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven and Denis Curtil. “In-House Development of Paper Force Sensors for Musical Applications.” To appear in Computer Music Journal CMJ 38:2, 2014.
  • Baptiste Caramiaux, Marcelo M. Wanderley and Frédéric Bevilacqua. “Segmenting and Parsing Instrumentalist’s Gestures”. In Journal of New Music Research, 41(1):13-29, 2012.
  • Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca and Daniel J. Levitin. “Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance.” Cognition 118:157–170, 2011.
  • Marcelo M. Wanderley and Philippe Depalle. “Gestural Control of Sound Synthesis”. Proceedings of the IEEE, vol. 92, No. 4 (April), Special Issue on Engineering and Music - Supervisory Control and Auditory Communication, G. Johannsen, Ed., pp. 632-644, 2004.

Articles in Professional Magazines

  • D. Chadefaux, J.-L. le Carrou, B. Fabre, M. M. Wanderley and L. Daudet.”Étude expérimentale de l’interaction musician/instrument dans le cas de l’harpe de concert.” In Acoustique et Techniques. Trimestriel d’information des professionnels de l’acoustique, France, Numéro 69, pp. 29-34, 2012.

Conference Papers

2014

  • Ian Hattwick and Seth Woods. “Almost Human: Moving Expressive Gesture from Cello to Spine.” In Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression, NIME2014, London, UK.
  • E. Frid, M. Giordano, M. Schumacher and M. M. Wanderley. “Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System”. In Proceedings of the joint ICMC|SMC|2014 Conference.
  • V. Yaremchuk and M. M. Wanderley. “Brahms, Bodies and Backpropagation”. In Proceedings of the International Workshop on Movement and Computing, MOCO’14, pages 88-93, Paris, France, 2014. ACM.

2013

  • M. Rodrigues, M. M. Wanderley and P. Ferreira-Lopes. “Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound.” In Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.
  • H. Knutzen, T. Kvifte and M. M. Wanderley. “Vibrotactile Augmentation of an Open-air Gestural Controller.” In Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.
  • B. Bacon and M. M. Wanderley. “The Effects of Handedness in Percussion Performative Gesture.” In Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.
  • I. Dalca, B. W. Vines, M. T. Pearce and M. M. Wanderley. “Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration.” In Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.
  • C. Rosa Mamedes, M. M. Wanderley, J. Manzolli and D. Lopes Garcia. “Strategies for mapping control in interactive audiovisual installations.” In Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.
  • M. Schumacher, M. Giordano, M. Wanderley and S. Ferguson. “Vibrotactile Notifications for Live Electronics Performance: A Prototype System.” In Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), October 2013.
  • E. Teixeira, M. Loureiro, H. Yehia and M. M. Wanderley. “Motion Recurrence Analysis in Music Performances.” In Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013).
  • T. Kell and M. M. Wanderley. “A Quantitative Review of Mappings in Musical iOS Applications.” In Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013).
  • F. L. Schiavoni, M. Queiroz and M. M. Wanderley. “Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs.” In Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013).
  • F. L. Schiavoni, M. Queiroz and M. M. Wanderley. “Alternatives in network transport protocols for audio streaming applications.” In Proc. of the 2013 International Computer Music Conference (ICMC13).
  • G. Burlet, M. M. Wanderley and I. Fujinaga. “Stompboxes: Kicking the Habit.” In Proc. of the 2013 International Conference on New Interfaces for Musical Expression (NIME2013).

2012

  • A. Perez Carrillo and M. Wanderley. “Learning and Extraction of Violin Instrumental Controls from Audio Signal.” In Proc. of the MIRUM Workshop, ACM Multimedia Conference, Nara, Japan, November 2012.
  • F. Germain, J. Abel, P. Depalle and M. M. Wanderley. “Uniform Noise Sequences for Nonlinear System Identification.” In Proc. 15th International Conference of Digital Audio Effects (DAFx-12), 2012.
  • G. Vigliensoni and M. M. Wanderley. “A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface.” In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
  • I. Hattwick and M. M. Wanderley. “A Dimension Space for Evaluating Collaborative Musical Performance Systems.” In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
  • O. Tache, J.-L. Florens, S. Sinclair and M. M. Wanderley. “Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models.” In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
  • M. Giordano, S. Sinclair and M. M. Wanderley. “Bowing a Vibration-enhanced Force-feedback Device.” In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.

2011

  • Marcello Giordano and Marcelo M. Wanderley. “A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation.” In Proceedings of the 8th Sound and Music Computing Conference, Padova, Italy, 2011.
  • Erika Donald, Benjamin Duinker, and Eliot Britton. “Designing the EP trio: Instrument identities, control and performance practice in an electronic chamber music ensemble.” In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11), Oslo, Norway, 2011.
  • Mark T. Marshall and Marcelo M. Wanderley. “Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument.” In Proceedings of the 2011 International Conference on the Interfaces for Musical Expression (NIME11), Oslo, Norway.
  • Jean Bresson and Marlon Schumacher, “Representation and Interchange of Sound Spatialization Data for Compositional applications.” Accepted for Publication in the 2011 International Computer Music Conference (ICMC11), Huddersfield, UK.

2010

  • Florian Grond, Thomas Hermann, Vincent Verfaille and Marcelo M. Wanderley. “Methods for the Effective Sonification of of Clarinetists' Ancillary Gestures”. In Stefan Kopp and Ipke Wachsmuth (Eds.): Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, Bielefeld, Germany, February 2009, Revised Selected Papers. LNAI 5934, Springer Verlag, pp. 171-181, 2010.
  • Tommaso Bianco, Marcelo M. Wanderley and Frederic Bevilacqua. “Mimicry of tone production: results from a pilot experiment.” In Proceedings of the 7th of Sound and Music Computing Conference, Barcelona, 2010.

2009

  • Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley. “Gestural Control of Sound Spatialization for Live Musical Performance”. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag, pp. 227-238, 2009.
  • Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, and Frederic Bevilacqua. “String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study”. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag, pp. 216-226, 2009.
  • Barbara Mazzarino, Mabuel Peinado, Ronan Boulic, Gualtiero Volpe, and Marcelo M. Wanderley. “Improving the Believability of Virtual Characters using Qualitative Gesture Analysis”. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers. LNCS series Vol. 5085, Springer Verlag, pp. 48-56, 2009.
  • Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, and Sean Ferguson. "The CIRMMT/McGill Digital Orchestra Project". In Proceedings of the International Computer Music Conference (ICMC), pp. 295-298, Montreal, Qc., Canada, 2009.

2008

2007

  • Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley. "fMRI-Compatible Electronic Controllers". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), pp. 246-249, New York City, USA, 2007.

2006

  • Alexander R. Jensenius, Rodolphe Koehly, and Marcelo M. Wanderley. "Building Low-Cost Music Controllers". In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 123-129, 2006.
  • Denis Lebel and Joseph Malloch. "The G-Spring Controller". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), pp. 85-88, Paris, France, 2006.

2005

  • David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley. "Towards a Dimension Space for Musical Artifacts". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), pp. 192-195, Vancouver, Canada, 2005.

2004

  • Philippe Zaborowski. "ThumbTec: A New Handheld Input Device". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), pp. 112-115, Hamamatsu, Japan, 2004.

Conference Abstracts

  • Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. “Libmapper (A Library for Connecting Things).” In Proceedings of the International Conference on Human Factors in Computing Systems (CHI 2013), pp. 3087-3090, Paris, France, 2013. (Extended Abstract)
  • Andrew Stewart and Joseph Malloch. “Everybody to the power of one, for soprano T-Stick.” In Proceedings of the 28th International Conference on Human Factors in Computing Systems (CHI 2010), pp. 3093-3096, New York, NY, USA, 2010. (Extended Abstract)
  • Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. “Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications.” Presented at the ICMPC 2010 Conference, Seattle, USA.
  • Nicolas Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, and Frederic Bevilacqua. “Case study of string bowing gestures in tremolo.” Presented at the 2007 International Gesture Workshop, Lisbon, Portugal.
  • Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo Wanderley. “Improving the believability of virtual characters using qualitative gesture analysis.” Presented at the 2007 International Gesture Workshop, Lisbon, Portugal.
  • Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. “A Framework for Gesture Control of Spatialization.” Presented at the 2007 International Gesture Workshop, Lisbon, Portugal, 2007.
  • Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. “Improving Human Movement Recovery Using Qualitative Analysis. ” In Proceedings of the 3rd International Conference on Enactive Interfaces (ENACTIVE06), Montpellier, France, 2006.
  • Barbara Mazzarino, Manuel Peinado, Ronan Boulic, and Marcelo M. Wanderley. “A Case Study on Qualitative Evaluation of Avatar Believability.” Presented at the 2nd ENACTIVE Workshop Montreal, Canada, 2006.
  • Eugenia Costa-Giomi, Charlene Ryan, and Marcelo M. Wanderley. “Expressiveness in Music: The Movements of the Performer and Their Effects on the Listener.” Presented at the 2006 International Conference on Music Percption and Cognition - ICMPC06, Bologna, Italy, August, 2006.
  • Bradley W. Vines, Ioana Dalca, and Marcelo M. Wanderley. “Variation in Expressive Physical Gestures of Clarinetists.” Presented at the 2006 International Conference on Music Perception and Cognition - ICMPC06, Bologna, Italy, August, 2006.
  • Louise Campbell, Vincent Verfaille, Marie-Julie Chagnon, Oswald Quek, and Marcelo M. Wanderley. “Different Approaches to the Understanding of Expressive Movements of Clarinetists.” Paper presented during the Second Int. Conf. on Music and Gesture, Manchester, July, 2006.
  • Vincent Verfaille and Marcelo M. Wanderley. “Mapping Strategies for Sound Synthesis, Digital Audio Effects and Sonification of Performer Gestures.” Paper presented during the Acous. Soc. Am. Meeting, Rhodes Island, June 2006.
  • Anne-Marie Burns and Barbara Mazzarino. “Finger Tracking Methods Using EyesWeb.” Presented at the 6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005), Ile de Berder, France, May 18-20 2005.
  • Carmine Casciato, Alexander R. Jensenius, and Marcelo M. Wanderley. "Studying Free Dance Movements to Music." Presented at ESCOM 2005 Performance Matters! Conference, Porto, Portugal, September 2005 (Abstract).

Unpublished Reports