A list of publications by IDMIL researchers in peer-reviewed journals and conferences in 2025 so far.

Journal Papers:

• “Bringing the Coastline to the City: Laboratory Evaluation of Urban Soundscapes in the Presence of Ambient Sound Art.” Valérian Fraisse, Charles Montambault, Marcelo M. Wanderley & Catherine Guastavino. Music & Science. First published online October 27, 2025. DOI: 10.1177/20592043251384052
• “User Experience with Digital Musical Instruments: A Transferable Method for Longitudinal Evaluation.” J. Charles Reimer, Atishi Gupta, Catherine Guastavino & Marcelo M. Wanderley. Journal of New Music Research. Published online: 12 Aug 2025. DOI: 10.1080/09298215.2025.2540433
• “SonoSpatia: a Virtual Reality Interface for the Creation of 3D Spatial Audio Trajectories.” Matteo Tomasetti, Bavo van Kerrebroeck, Marcelo M. Wanderley, Domenico Stefani, and Luca Turchet. Journal of the Audio Engineering Society, 73(7/8):481–492, 2025. DOI: 17743/jaes.2022.0215
• “Behavioral Measures of Copresence in Co-located Mixed Reality.” Pierrick Uro, Florent Berthaut, Thomas Pietrzak & Marcelo M. Wanderley. IEEE Transactions on Visualization and Computer Graphics, pp. 1– Published online on March 07, 2025. DOI: 10.1109/TVCG.2025.3549135
• “Virtual Partners Improve Synchronization in Human-Machine Trios.” Bavo Van Kerrebroeck, Marcelo M. Wanderley, Alexander P. Demos, and Caroline Palmer. Cognitive Science, 49(2). Published online on February 03, 2025. DOI: 1111/cogs.70040
• “On Mapping as a Technoscientific Practice in Digital Musical Instruments.” Andrew McPherson, Landon Morrison, Matthew Davison & Marcelo M. Wanderley. Journal of New Music Research, 53(1–2):110–125, 2025. DOI: 10.1080/09298215.2024.2442356

Forthcoming:

• “Transdisciplinary Artistic Strategies in Environmental Sound Art (and the Politics of Listening) in Contemporary Latin America.” Anésio Azevedo Costa Neto, Stéphan Schaub & Marcelo M. Wanderley. Organised Sound. Accepted for publication on July 24, 2025.

Conference Papers:

• “Augmenting IoMusT Devices with Haptic Feedback: Design Tools and Strategies from Expert T-Stick Performers.” Oren Ronen & Marcelo M. Wanderley. IEEE International Symposium on the Internet of Sounds, 2025.
• “Decoupling Physical and Virtual Spaces for New Collaboration Strategies in Co-Located Mixed Reality Instruments.” Pierrick Uro, Florent Berthaut, Thomas Pietrzak & Marcelo Wanderley. Proceedings of the International Conference on New Interfaces for Musical Expression, 2025.
• “Creating a Real-Time Responsive Handbalancing Interface with HAND?” Linnea Kirby, Christiana Rose, Jeremy Cooperstock & Marcelo Wanderley. Proceedings of the International Conference on New Interfaces for Musical Expression, 2025
• “Towards the Continuous Harmonium: Replicating the Continuous Keyboard.  Travis West, Ninad Puranik, Gary Scavone & Marcelo Wanderley. Proceedings of the International Conference on New Interfaces for Musical Expression, 2025.
• “Exploring Sound Installation Reactivity: Acoustic Niches in Public Space.” Valérian Fraisse, Nadine Schütz, Coralie Vincent, Marcelo M. Wanderley, Catherine Guastavino & Nicolas Misdariis. Proceedings of the 2025 International Symposium on Musical and Room Acoustics (ISMRA), 2025.
• “Strategies for the Reconciliation of Artistic Intent and Technical Constraints in Mixed Reality Performances.” Pierrick Uro, Florent Berthaut, Thomas Pietrzak. Laurent Grisoni & Marcelo M. Wanderley. ACM Designing Interactive Systems (DIS) 2025 Conference. Pages 1603—1614, 2025.
• “Thoughts on Mapping and Interface Design of a Keyboard to Perform Continuous Pitch Ornamentations in Hindustani Music.” Ninad Puranik, Travis West, Marcelo Wanderley & Gary Scavone. Workshop on Indian Music Analysis and Generative Applications (WIMAGA), IEEE ICASSP