• Marlon Schumacher. “A Framework for Computer-Aided Composition of Space, Gesture and Sound. Theory, Tools and Applications”, Ph.D. thesis, forthcoming.
  • Ian Hattwick. “Creating Novel Digital Interfaces for Professional Artistic Productions in Collaborative Art-Science Research Projects”, Ph.D. thesis, forthcoming.
  • Vanessa Yaremchuk. “Musical Applications of Artificial Neural Networks”, Ph.D. thesis, forthcoming.


Ph.D. Theses

  • Marcello Giordano. “Vibrotactile Feedback and Stimulation in Music Performance”, Ph.D. thesis, McGill University. Thesis defended on March 24, 2016.
  • Carolina Brum Medeiros. “Advanced Instrumentation and Sensor Fusion in Input Devices for Musical Expression”, Ph.D. thesis, McGill University. Thesis defended on March 30, 2015.
  • Joseph Malloch. “A Framework and Tools for Mapping of Digital Musical Instruments”, Ph.D. thesis, McGill University. Thesis defended on November 4, 2013.
  • Cléo Palacio-Quintin. “Composition d'Oeuvres pour Hyper-flûtes et Traitement Audionumérique Interactif”. D. Mus. thesis (Composition), Université de Montréal. Supervisors: Jean Piché (Université de Montréal) and Marcelo M. Wanderley. Thesis defended on May 17, 2012.
  • Rodolphe Koehly. “Fabrication of Sustainable Resistive-Based Paper Touch Sensors: Application to Music Technology”, Ph.D. thesis, McGill University. Co-supervisors: Marcelo M. Wanderley, Theodorus van de Ven (Chemistry, McGill) and Denis Curtil (Pagora, France). Thesis defended on September 7, 2011.

M.A. Theses