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publications 2018/04/12 11:26 publications 2018/11/09 16:08 current
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====== Books & Journal Editions====== ====== Books & Journal Editions======
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 +  * Simon Holland, Katie Wilkie, Tom Mudd, Andrew McPherson and Marcelo M. Wanderley (editors).// Music and Human Computer Interaction: Remixed.// Springer International Publishing AG, Cham, Switzerland. Forthcoming.
  * Marcelo M. Wanderley and Joseph Malloch (guest editors). Advances in the Design of Mapping for Computer Music. // Computer Music Journal//, 38(3), Fall 2014.   * Marcelo M. Wanderley and Joseph Malloch (guest editors). Advances in the Design of Mapping for Computer Music. // Computer Music Journal//, 38(3), Fall 2014.
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  * Marcelo M. Wanderley (guest editor). [[http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=7&issueId=02|Mapping Strategies in Real-time Computer Music]]. //Organised Sound//, 7(2), August 2002.    * Marcelo M. Wanderley (guest editor). [[http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=7&issueId=02|Mapping Strategies in Real-time Computer Music]]. //Organised Sound//, 7(2), August 2002. 
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====== Journal Papers ====== ====== Journal Papers ======
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===== 2018 ===== ===== 2018 =====
-  * Baptiste Caramiaux, Frederic Bevilacqua, Marcelo M. Wanderley and Caroline Palmer. "Dissociable effects of practice variability on learning motor and timing skills". //PLOS ONE//. Accepted for publication. +  * Baptiste Caramiaux, Frederic Bevilacqua, Marcelo M. Wanderley and Caroline Palmer. "Dissociable effects of practice variability on learning motor and timing skills". //PLOS ONE//, March 2018, DOI: 10.1371/journal.pone.0193580
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-  * Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "Generalized Multi-Instance Control Mapping for Interactive Media Systems". //IEEE Multimedia//. To appear in Feb 2018. +
 +  * Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "[[https://ieeexplore.ieee.org/document/8259406/|Generalized Multi-Instance Control Mapping for Interactive Media Systems]]". //IEEE Multimedia//, 25 (1), pp. 39-50, Jan.-Mar. 2018. DOI: 10.1109/MMUL.2018.112140028
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  * D. Chadefaux, J.-L. le Carrou, B. Fabre, M. M. Wanderley and L. Daudet."Étude expérimentale de l’interaction musician/instrument dans le cas de l’harpe de concert."  In //Acoustique et Techniques. Trimestriel d’information des professionnels de l’acoustique//, France, Numéro 69, pp. 29-34, 2012.   * D. Chadefaux, J.-L. le Carrou, B. Fabre, M. M. Wanderley and L. Daudet."Étude expérimentale de l’interaction musician/instrument dans le cas de l’harpe de concert."  In //Acoustique et Techniques. Trimestriel d’information des professionnels de l’acoustique//, France, Numéro 69, pp. 29-34, 2012.
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====== Book Chapters ====== ====== Book Chapters ======
-  * Marcello Giordano, John Sullivan and Marcelo M. Wanderley. "Design of Vibrotactile Feedback and Stimulation for Music Performance." In S. Papetti and C. Saitis, eds. //Musical Haptics//, Springer International Publishing AG. In press.+  * Marcello Giordano, John Sullivan and Marcelo M. Wanderley. "Design of Vibrotactile Feedback and Stimulation for Music Performance." In S. Papetti and C. Saitis, eds. //Musical Haptics//, Springer International Publishing AG. 2018.
  * Manfred Nusseck, Marcelo M. Wanderley and Claudia Spahn. "Body Movements in Music Performances: the Example of Clarinet Players." In Bertram Müller and Sebastian I. Wolf (eds.), //Handbook of Human Motion//. Springer Verlag. In press. ISBN 978-3-319-14418-4.   * Manfred Nusseck, Marcelo M. Wanderley and Claudia Spahn. "Body Movements in Music Performances: the Example of Clarinet Players." In Bertram Müller and Sebastian I. Wolf (eds.), //Handbook of Human Motion//. Springer Verlag. In press. ISBN 978-3-319-14418-4.
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====== Conferences ====== ====== Conferences ======
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===== 2018 ===== ===== 2018 =====
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 +  * [[people:Jeronimo Barbosa]], Marcelo M. Wanderley, and Stéphane Huot. {{publications:zenstates-vl-hcc-2018.pdf|"ZenStates: Easy-to-Understand Yet Expressive Specifications for Creative Interactive Environments."}} In //Proc. of the 2018 IEEE Symposium on Visual Languages and Human-Centric Computing//, Lisbon, Portugal.
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 +  * [[people:John Sullivan]] and Marcelo M. Wanderley. "Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design." In //Proc. of the 15th Sound and Music Computing Conference (SMC2018)//, Cyprus, July 2018.
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 +  * [[people:John Sullivan]], Alexandra Tibbitts, Brice Gatinet, and Marcelo M. Wanderley. "Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp." In //Proc. of the 5th International Conference on Movement Computing (MOCO2018)//, Genova, Italy, 2018.
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 +  * [[people:Catherine Massie-Laberge]], Isabelle Cossette and Marcelo M. Wanderley."Kinetic Analysis of Hip Motion During Piano Playing."  In //Proc. of the 5th International Conference on Movement Computing (MOCO2018)//, Genova, Italy, 2018.
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 +  * [[people:Joseph Malloch]], [[people:Marlon Schumacher|M. Marlon Schumacher]], [[people:Stephen Sinclair]] and Marcelo M. Wanderley. "The digital orchestra toolbox for MAX."  In //Proc. of the 2018 International Conference on New Interfaces for Musical Expression (NIME2018)//, Blacksburg, Virginia, USA, 2018, pp. 255–258.
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 +  * [[people:Edu Meneses]], Sérgio Freire and Marcelo M. Wanderley. "Guitarami and Guiart: Two independent yet complementary projects on augmented nylon guitars."  In //Proc. of the 2018 International Conference on New Interfaces for Musical Expression (NIME2018)//, Blacksburg, Virginia, USA, 2018, pp. 222–227.
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 +  * Fabio Morreale, Anderw P. McPherson and Marcelo Wanderley. "NIME identity from the performer’s perspective." In //Proc. of the 2018 International Conference on New Interfaces for Musical Expression (NIME2018)//, Blacksburg, Virginia, USA, 2018, pp. 168–173.
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 +  * [[people: Alex Nieva]], [[people:Johnty Wang]], [[people:Joseph Malloch]] and Marcelo Wanderley."The t-stick: maintaining a 12 year-old digital musical instrument."  In //Proc. of the 2018 International Conference on New Interfaces for Musical Expression (NIME2018)//, Blacksburg, Virginia, USA, 2018, pp. 198–199.
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  * [[people:Deborah Egloff]], Marcelo M. Wanderley and Ilja Frissen. "Haptic Display of Melodic Intervals for Musical Applications." In //Proc. of the 2018 IEEE Haptics Symposium//, San Francisco, CA.   * [[people:Deborah Egloff]], Marcelo M. Wanderley and Ilja Frissen. "Haptic Display of Melodic Intervals for Musical Applications." In //Proc. of the 2018 IEEE Haptics Symposium//, San Francisco, CA.
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  * [[people:Jeronimo Barbosa]], Cory McKay, Ichiro Fujinaga. {{publications:barbosa_mckay_fujinaga_sbcm2015.pdf|“Evaluating automated classification techniques for folk music genres from the Brazilian Northeast.”}} In //Proceedings of the 15th Brazilian Symposium on Computer Music//, Campinas, Brazil.   * [[people:Jeronimo Barbosa]], Cory McKay, Ichiro Fujinaga. {{publications:barbosa_mckay_fujinaga_sbcm2015.pdf|“Evaluating automated classification techniques for folk music genres from the Brazilian Northeast.”}} In //Proceedings of the 15th Brazilian Symposium on Computer Music//, Campinas, Brazil.
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===== 2014 ===== ===== 2014 =====
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  * E. Frid, M. Giordano, M. Schumacher and M. M. Wanderley. {{publications:papcoled_fridgiordanoschumacher.pdf|“Physical and Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System”}}. In //Proceedings of the joint ICMC|SMC|2014 Conference, Athens, Greece.//   * E. Frid, M. Giordano, M. Schumacher and M. M. Wanderley. {{publications:papcoled_fridgiordanoschumacher.pdf|“Physical and Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System”}}. In //Proceedings of the joint ICMC|SMC|2014 Conference, Athens, Greece.//
-  * B. Bacon, M. M. Wanderley, and F. Marandola. [[http://dl.acm.org/citation.cfm?id=2617995&coll=DL&dl=GUIDE|“The Effects of Handedness in Percussion Sight Reading.” ]] As seen in the Proceedings of the 2014 International Workshop on Movement and Computing (MOCO14).+  * B. Bacon, M. M. Wanderley, and F. Marandola. [[http://dl.acm.org/citation.cfm?id=2617995&coll=DL&dl=GUIDE|“The Effects of Handedness in Percussion Sight Reading.”]] In //Proceedings of the International Workshop on Movement and Computing, MOCO’14//, pages 112-117, Paris, France, 2014.
-  * V. Yaremchuk and M. M. Wanderley. "Brahms, Bodies and Backpropagation". In //Proceedings of the International Workshop on Movement and Computing, MOCO’14//, pages 88-93, Paris, France, 2014. ACM.+  * V. Yaremchuk and M. M. Wanderley. "Brahms, Bodies and Backpropagation". In //Proceedings of the International Workshop on Movement and Computing, MOCO’14//, pages 88-93, Paris, France, 2014.
===== 2013 ===== ===== 2013 =====
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