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publications 2012/06/14 15:18 publications 2013/06/06 19:23 current
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  * Marcelo M. Wanderley and Philippe Depalle. {{wiki:art_hermes_wandep.pdf|"Contrôle Gestuel de la Synthèse Sonore"}}. In H. Vinet and F. Delalande (eds): //Interfaces Homme-Machine et Creation Musicale.// Paris: Hermès Science Publishing, 1999.    * Marcelo M. Wanderley and Philippe Depalle. {{wiki:art_hermes_wandep.pdf|"Contrôle Gestuel de la Synthèse Sonore"}}. In H. Vinet and F. Delalande (eds): //Interfaces Homme-Machine et Creation Musicale.// Paris: Hermès Science Publishing, 1999. 
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====== Journal Papers ====== ====== Journal Papers ======
 +  * Rachel M. Brown, Joyce L. Chen, Avrum Hollinger, Virginia B. Penhune, Caroline Palmer, and Robert J. Zatorre. [[http://www-psychology.concordia.ca/fac/penhune/publications/Brown_JCogNeurosci_12.pdf|"Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music."]] //Journal of Cognitive Neuroscience//, 25(2):313-328, (2013).
  * Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. [[http://www.springerlink.com/content/h3001p7282p75407|"Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion"]]. //The Visual Computer Journal//, Springer, 28(4):357-370, 2012. DOI: 10.1007/s00371-011-0620-9   * Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. [[http://www.springerlink.com/content/h3001p7282p75407|"Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion"]]. //The Visual Computer Journal//, Springer, 28(4):357-370, 2012. DOI: 10.1007/s00371-011-0620-9
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 +====== Articles in Professional Magazines ======
- +  * D. Chadefaux, J.-L. le Carrou, B. Fabre, M. M. Wanderley and L. Daudet."Étude expérimentale de l’interaction musician/instrument dans le cas de l’harpe de concert."  In //Acoustique et Techniques. Trimestriel d’information des professionnels de l’acoustique//, France, Numéro 69, pp. 29-34, 2012.
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  * Marcelo M. Wanderley. {{wiki:gw99f.pdf|"Non-obvious Performer Gestures in Instrumental Music"}}. In A. Braffort et al. (eds): //Gesture-Based Communication in Human-Computer Interaction.// Springer Verlag, 1999, pp. 37-48.    * Marcelo M. Wanderley. {{wiki:gw99f.pdf|"Non-obvious Performer Gestures in Instrumental Music"}}. In A. Braffort et al. (eds): //Gesture-Based Communication in Human-Computer Interaction.// Springer Verlag, 1999, pp. 37-48. 
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====== Conference Papers ====== ====== Conference Papers ======
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 +===== 2013 =====
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 +  * Euler Teixeira, Maurício Loureiro, Hani Yehia and Marcelo M. Wanderley. "Motion Recurrence Analysis in Music Performances." To appear in //Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013)//.
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 +  * Thor Kell and Marcelo M. Wanderley. "A Quantitative Review of Mappings in Musical iOS Applications." To appear in //Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013)//.
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 +  * Flávio L. Schiavoni, Marcelo Queiroz and Marcelo M. Wanderley. "Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs." To appear in //Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013)//.
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 +  * Flávio L. Schiavoni, Marcelo Queiroz and Marcelo M. Wanderley. "Alternatives in network transport protocols for audio streaming applications." To appear in //Proc. of the 2013 International Computer Music Conference (ICMC13)//.
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 +  * R. Michael Winters, Ian Hattwick, and Marcelo M. Wanderley. "Emotional Data in Music Performance: Two AudioEnvironments for the Emotional Imaging Composer." In //Proc. of the 3rd International Conference on Music & Emotion (ICME2013)//.
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 +  * R. Michael Winters and Marcelo M. Wanderley. "Sonification of Emotion: Strategies for Continuous Display of Arousal and Valence." In //Proc. of the 3rd International Conference on Music & Emotion (ICME2013)//.
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 +  * Gregory Burlet, Marcelo M. Wanderley and Ichiro Fujinaga. "Stompboxes: Kicking the Habit." In //Proc. of the 2013 International Conference on New Interfaces for Musical Expression (NIME2013)//.
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 +  * Marcello Giordano and Marcelo M. Wanderley. "Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media." In //Proc. of the 2013 Haptics-Audio Interation Design Workshop (HAID2013)//, May 2013.
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===== 2012 ===== ===== 2012 =====
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 +  * A. Perez Carrillo and M. Wanderley. "Learning and Extraction of Violin Instrumental Controls from Audio Signal." In //Proc. of the MIRUM Workshop, ACM Multimedia Conference//, Nara, Japan, November 2012.
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 +  * R. Michael Winters, Marcelo M. Wanderley. {{publications:Winters_ICAD2012.pdf|"New Directions for the Sonification of Expressive Movement in Music Performance"}}, In //Proc. of the 18th International Conference on Auditory Display//, Atlanta, Georgia, 2012.
  * F. Germain, J. Abel, P. Depalle and M. M. Wanderley. "Uniform Noise Sequences for Nonlinear System Identification." To appear in //Proc. 15th International Conference of Digital Audio Effects (DAFx-12)//, 2012.   * F. Germain, J. Abel, P. Depalle and M. M. Wanderley. "Uniform Noise Sequences for Nonlinear System Identification." To appear in //Proc. 15th International Conference of Digital Audio Effects (DAFx-12)//, 2012.
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  * G. Vigliensoni and M. M. Wanderley. "A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.   * G. Vigliensoni and M. M. Wanderley. "A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
-  * A. Hollinger and M. M. Wanderley. "Optoelectronic Acquisition and Control Board for Musical Applications."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.+  * A. Hollinger and M. M. Wanderley. "{{publications:2012:hollinger_nime2012.pdf|Optoelectronic Acquisition and Control Board for Musical Applications}}."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Arbor, 2012.
-  * I. Hattwick and M. M. Wanderley. " A Dimension Space for Evaluating Collaborative Musical Performance Systems."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.+  * I. Hattwick and M. M. Wanderley. "A Dimension Space for Evaluating Collaborative Musical Performance Systems."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
  * O. Tache, J.-L. Florens, S. Sinclair and M. M. Wanderley. "Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.   * O. Tache, J.-L. Florens, S. Sinclair and M. M. Wanderley. "Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
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  * Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward and Gary Scavone. "{{publications:sinclair_worldhaptics_2011_distpluck_final.pdf|Noise-free haptic interaction with a bowed-string acoustic model}}". In //IEEE – World Haptics Conference 2011//.   * Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward and Gary Scavone. "{{publications:sinclair_worldhaptics_2011_distpluck_final.pdf|Noise-free haptic interaction with a bowed-string acoustic model}}". In //IEEE – World Haptics Conference 2011//.
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 +  * Erika Donald, Benjamin Duinker, and Eliot Britton. "Designing the EP trio: Instrument identities, control and performance practice in an electronic chamber music ensemble." In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11)//, Oslo, Norway, 2011.
  * Mark T. Marshall and Marcelo M. Wanderley. "Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument." In Proceedings of the 2011 International Conference on the Interfaces for Musical Expression (NIME11), Oslo, Norway.   * Mark T. Marshall and Marcelo M. Wanderley. "Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument." In Proceedings of the 2011 International Conference on the Interfaces for Musical Expression (NIME11), Oslo, Norway.
  * Jean Bresson and Marlon Schumacher, "Representation and Interchange of Sound Spatialization Data for Compositional applications." Accepted for Publication in the 2011 International Computer Music Conference (ICMC11), Huddersfield, UK.   * Jean Bresson and Marlon Schumacher, "Representation and Interchange of Sound Spatialization Data for Compositional applications." Accepted for Publication in the 2011 International Computer Music Conference (ICMC11), Huddersfield, UK.
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 +====== Extended Abstracts ======
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 +  * Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "Libmapper (A Library for Connecting Things)." In //Proceedings of the International Conference on Human Factors in Computing Systems (CHI 2013)//, pp. 3087-3090, Paris, France, 2013.
 +  * Andrew Stewart and Joseph Malloch. "Everybody to the power of one, for soprano T-Stick." In //Proceedings of the 28th International Conference on Human Factors in Computing Systems (CHI EA ’10)//, pp. 3093-3096, New York, NY, USA, 2010.
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====== Conference Abstracts ====== ====== Conference Abstracts ======
-  * Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. "Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications." Presented at the ICMPC 2010 Conference, Seattle, USA.+  * Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. "Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications." Presented at the //ICMPC 2010 Conference//, Seattle, USA.
  * Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. {{publications:gw09_bouenard.pdf|"Analysis of Timpani Prepararoty Gesture Parameterization."}} Presented at the //2009 International Gesture Workshop - GW09//, Bielefeld, Germany, February, 2009.   * Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. {{publications:gw09_bouenard.pdf|"Analysis of Timpani Prepararoty Gesture Parameterization."}} Presented at the //2009 International Gesture Workshop - GW09//, Bielefeld, Germany, February, 2009.
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  * Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo Wanderley. "Improving the believability of virtual characters using qualitative gesture analysis." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal.    * Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo Wanderley. "Improving the believability of virtual characters using qualitative gesture analysis." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal. 
-  * Mark T. Marshall, Jospeh Malloch and Marcelo M. Wanderley. "A Framework for Gesture Control of Spatialization." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal, 2007.+  * Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. "A Framework for Gesture Control of Spatialization." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal, 2007.
  * Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. "Improving Human Movement Recovery Using Qualitative Analysis. " In //Proceedings of the 3rd International Conference on Enactive Interfaces (ENACTIVE06)//, Montpellier, France, 2006.    * Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. "Improving Human Movement Recovery Using Qualitative Analysis. " In //Proceedings of the 3rd International Conference on Enactive Interfaces (ENACTIVE06)//, Montpellier, France, 2006.