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   * Marcelo M. Wanderley and Philippe Depalle. {{wiki:art_hermes_wandep.pdf|"Contrôle Gestuel de la Synthèse Sonore"}}. In H. Vinet and F. Delalande (eds): //Interfaces Homme-Machine et Creation Musicale.// Paris: Hermès Science Publishing, 1999.
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 ====== Journal Papers ======
+  * Rachel M. Brown, Joyce L. Chen, Avrum Hollinger, Virginia B. Penhune, Caroline Palmer, and Robert J. Zatorre. [[http://www-psychology.concordia.ca/fac/penhune/publications/Brown_JCogNeurosci_12.pdf|"Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music."]] //Journal of Cognitive Neuroscience//, 25(2):313-328, (2013).
   * Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. [[http://www.springerlink.com/content/h3001p7282p75407|"Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion"]]. //The Visual Computer Journal//, Springer, 28(4):357-370, 2012. DOI: 10.1007/s00371-011-0620-9
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+====== Articles in Professional Magazines ======
+  * D. Chadefaux, J.-L. le Carrou, B. Fabre, M. M. Wanderley and L. Daudet."Étude expérimentale de l’interaction musician/instrument dans le cas de l’harpe de concert."  In //Acoustique et Techniques. Trimestriel d’information des professionnels de l’acoustique//, France, Numéro 69, pp. 29-34, 2012.
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 ====== Conference Papers ======
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 ===== 2012 =====
+  * A. Perez Carrillo and M. Wanderley. "Learning and Extraction of Violin Instrumental Controls from Audio Signal." In //Proc. of the MIRUM Workshop, ACM Multimedia Conference//, Nara, Japan, November 2012.
+  * R. Michael Winters, Marcelo M. Wanderley. {{publications:Winters_ICAD2012.pdf|"New Directions for the Sonification of Expressive Movement in Music Performance"}}, In //Proc. of the 18th International Conference on Auditory Display//, Atlanta, Georgia, 2012.
+  * F. Germain, J. Abel, P. Depalle and M. M. Wanderley. "Uniform Noise Sequences for Nonlinear System Identification." To appear in //Proc. 15th International Conference of Digital Audio Effects (DAFx-12)//, 2012.
   * G. Vigliensoni and M. M. Wanderley. "A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
-  * A. Hollinger and M. M. Wanderley. "Optoelectronic Acquisition and Control Board for Musical Applications."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
+  * A. Hollinger and M. M. Wanderley. "{{publications:2012:hollinger_nime2012.pdf|Optoelectronic Acquisition and Control Board for Musical Applications}}."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Arbor, 2012.
-  * I. Hattwick and M. M. Wanderley. " A Dimension Space for Evaluating Collaborative Musical Performance Systems."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
+  * I. Hattwick and M. M. Wanderley. "A Dimension Space for Evaluating Collaborative Musical Performance Systems."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
   * O. Tache, J.-L. Florens, S. Sinclair and M. M. Wanderley. "Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
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   * M. Giordano, S. Sinclair and M. M. Wanderley. "Bowing a Vibration-enhanced Force-feedback Device." In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
-  * D. Chadefaux, M. Wanderley, J.-L. Le Carrou, B. Fabre and L. Daudet. "{{publications:h000345.pdf|Experimental study of the musician / instrument interaction in the case of the concert harp.}}" To appear in //Proceedings of Acoustics 2012//, Nantes, France.
+  * D. Chadefaux, M. Wanderley, J.-L. Le Carrou, B. Fabre and L. Daudet. "{{publications:h000345.pdf|Experimental study of the musician / instrument interaction in the case of the concert harp.}}" In //Proceedings of Acoustics 2012//, Nantes, France.
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   * Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward and Gary Scavone. "{{publications:sinclair_worldhaptics_2011_distpluck_final.pdf|Noise-free haptic interaction with a bowed-string acoustic model}}". In //IEEE – World Haptics Conference 2011//.
+  * Erika Donald, Benjamin Duinker, and Eliot Britton. "Designing the EP trio: Instrument identities, control and performance practice in an electronic chamber music ensemble." In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11)//, Oslo, Norway, 2011.
   * Mark T. Marshall and Marcelo M. Wanderley. "Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument." In Proceedings of the 2011 International Conference on the Interfaces for Musical Expression (NIME11), Oslo, Norway.
   * Jean Bresson and Marlon Schumacher, "Representation and Interchange of Sound Spatialization Data for Compositional applications." Accepted for Publication in the 2011 International Computer Music Conference (ICMC11), Huddersfield, UK.
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+====== Extended Abstracts ======
+  * Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "Libmapper (A Library for Connecting Things)." In //Proceedings of the International Conference on Human Factors in Computing Systems (CHI 2013)//, pp. 3087-3090, Paris, France, 2013.
+  * Andrew Stewart and Joseph Malloch. "Everybody to the power of one, for soprano T-Stick." In //Proceedings of the 28th International Conference on Human Factors in Computing Systems (CHI EA ’10)//, pp. 3093-3096, New York, NY, USA, 2010.
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 ====== Conference Abstracts ======
-  * Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. "Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications." Presented at the ICMPC 2010 Conference, Seattle, USA.
+  * Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. "Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications." Presented at the //ICMPC 2010 Conference//, Seattle, USA.
   * Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. {{publications:gw09_bouenard.pdf|"Analysis of Timpani Prepararoty Gesture Parameterization."}} Presented at the //2009 International Gesture Workshop - GW09//, Bielefeld, Germany, February, 2009.
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   * Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo Wanderley. "Improving the believability of virtual characters using qualitative gesture analysis." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal.
-  * Mark T. Marshall, Jospeh Malloch and Marcelo M. Wanderley. "A Framework for Gesture Control of Spatialization." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal, 2007.
+  * Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. "A Framework for Gesture Control of Spatialization." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal, 2007.
   * Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. "Improving Human Movement Recovery Using Qualitative Analysis. " In //Proceedings of the 3rd International Conference on Enactive Interfaces (ENACTIVE06)//, Montpellier, France, 2006.

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