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publications 2012/04/25 22:26 publications 2014/10/22 08:46 current
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====== Books ====== ====== Books ======
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 +  * Marcelo M. Wanderley and Joseph Malloch (guest editors). Advances in the Design of Mapping for Computer Music. // Computer Music Journal//, 38(3), Fall 2014.
  * Miguel S. Dias, Sylvie Gibet, Marcelo M. Wanderley, and Rafael Bastos, editors. //[[http://www.springer.com/computer/hci/book/978-3-540-92864-5|Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007]]//, //Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers//. LNCS series Vol. 5085, Springer Verlag, 2009.   * Miguel S. Dias, Sylvie Gibet, Marcelo M. Wanderley, and Rafael Bastos, editors. //[[http://www.springer.com/computer/hci/book/978-3-540-92864-5|Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007]]//, //Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers//. LNCS series Vol. 5085, Springer Verlag, 2009.
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  * Marcelo M. Wanderley (guest editor). [[http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=7&issueId=02|Mapping Strategies in Real-time Computer Music]]. //Organised Sound//, 7(2), August 2002.    * Marcelo M. Wanderley (guest editor). [[http://journals.cambridge.org/action/displayIssue?jid=OSO&volumeId=7&issueId=02|Mapping Strategies in Real-time Computer Music]]. //Organised Sound//, 7(2), August 2002. 
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====== Book Chapters ====== ====== Book Chapters ======
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 +  * Marcelo M. Wanderley. "Mapping Strategies in Digital Musical Instruments: Concepts and tools." In Annie Luciani, Olivier Tache and Nicholas Castagné, eds. //Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011//, Enactive System Books, pp. 183-190, 2013.
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 +  * Olivier Tache, Steve Sinclair, Jean-Loup Florens and Marcelo M. Wanderley. "Qualités Tactiles et Sonores dans le Jeu Instrumental de Cordes Frottées: Exploration par la simulation." In Annie Luciani, Olivier Tache and Nicholas Castagné, eds. //Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011//, Enactive System Books, pp. 225-242, 2013.
  * Joseph Malloch, Stephen Sinclair, Avrum Hollinger and Marcelo M. Wanderley. [[http://www.springerlink.com/content/t40661478672160k/|"Input Devices and Music Interaction"]] In Jorge Solis and Kia Ng, eds. //Musical Robots and Interactive Music Systems//, Springer Verlag, 2011.   * Joseph Malloch, Stephen Sinclair, Avrum Hollinger and Marcelo M. Wanderley. [[http://www.springerlink.com/content/t40661478672160k/|"Input Devices and Music Interaction"]] In Jorge Solis and Kia Ng, eds. //Musical Robots and Interactive Music Systems//, Springer Verlag, 2011.
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  * Marcelo M. Wanderley and Philippe Depalle. {{wiki:art_hermes_wandep.pdf|"Contrôle Gestuel de la Synthèse Sonore"}}. In H. Vinet and F. Delalande (eds): //Interfaces Homme-Machine et Creation Musicale.// Paris: Hermès Science Publishing, 1999.    * Marcelo M. Wanderley and Philippe Depalle. {{wiki:art_hermes_wandep.pdf|"Contrôle Gestuel de la Synthèse Sonore"}}. In H. Vinet and F. Delalande (eds): //Interfaces Homme-Machine et Creation Musicale.// Paris: Hermès Science Publishing, 1999. 
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====== Journal Papers ====== ====== Journal Papers ======
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 +  * Pieter-Jan Maes, Caroline Palmer and Marcelo M. Wanderley. [[http://link.springer.com/article/10.1007%2Fs00221-014-4108-5|"The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements"]]. //Experimental Brain Research//. In Press. DOI: 10.1007/s00221-014-4108-5
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 +  * Steven R. Livingstone, William F. Thompson, Marcelo M. Wanderley, and Caroline Palmer. "Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song." //Quarterly Journal of Experimental Psychology//. In Press. DOI: 10.1080/17470218.2014.971034.
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 +  * Stephen Sinclair, Marcelo M. Wanderley and Vincent Hayward. [[http://www.ncbi.nlm.nih.gov/pubmed/25122594|"Velocity estimation algorithms for audio-haptic simulations involving stick-slip"]]. //IEEE Transactions on Haptics//. In Press. DOI:10.1109/TOH.2014.2346505.
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 +  * Doug Van Nort, Marcelo M. Wanderley and Philippe Depalle. "[[http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00253?journalCode=comj#.VEIdwkuTQ7o}|'Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives]]". //Computer Music Journal// 38(3), Fall 2014. DOI:10.1162/COMJ a 00253
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 +  * Carolina B. Medeiros and Marcelo M. Wanderley. "[[http://www.mdpi.com/1424-8220/14/8/13556|A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression"]]. // Sensors Journal//, 2014. 14(8):13556-13591.
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 +  * Euler C.F. Teixeira, Mauricio A. Loureiro, Marcelo M. Wanderley and Hani C. Yehia. [[http://www.tandfonline.com/doi/abs/10.1080/09298215.2014.925939?journalCode=nnmr20#.VEId8EuTQ7o|"Motion Analysis of Clarinet Performers"]]. //Journal of New Music Research//, 2014. DOI: 10.1080/09298215.2014.925939
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 +  * Carolina B. Medeiros and Marcelo M. Wanderley. [[http://ieeexplore.ieee.org/xpl/articleDetails.jsp?tp=&arnumber=6670703&queryText%3Dmultiple-model+linear+kalman+filter|"Multiple-model Linear Kalman Filter Framework for Unpredictable Signals."]] //IEEE Sensors Journal//, 14(4):979-991, April 2014, DOI 10.1109/JSEN.2013.2291683.
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 +  * R. Michael Winters and Marcelo M. Wanderley. [[http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9180695&fileId=S1355771813000411|"Sonification of Emotion: Strategies and Results from the Intersection with Music"]]. //Organised Sound//, 19(1):60-69, 2014.
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 +  * Rodrigo A. Seger, Marcelo M. Wanderley and Alessandro L. Koerich. [[http://www.sciencedirect.com/science/article/pii/S0957417413007409|"Automatic Detection of Musicians' Ancillary Gestures based on Video Analysis]]". //Expert Systems with Applications// vol. 41, pp. 2098-2106, 2014.
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 +  * Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. [[http://link.springer.com/article/10.1007%2Fs11042-014-1878-5|"Distributed Tools for Interactive Design of Heterogeneous Signal Networks."]] //Multimedia Tools and Applications//, Springer, February 2014, DOI 10.1007/s11042-014-1878-5.
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 +  * Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven and Denis Curtil. [[http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00237#.VEIehkuTQ7o|"In-House Development of Paper Force Sensors for Musical Applications"]]. //Computer Music Journal// CMJ 38(2):22-35, 2014.
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 +  * Pieter-Jan Maes, Marc Leman, Caroline Palmer and Marcelo M. Wanderley. "[[http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.01008/full|Action-based Effect on Music Perception.]]" //Frontiers in Psychology//, 03 January 2014. DOI: 10.3389/fpsyg.2013.01008
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 +  * Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley and Laurent Daudet. "Gestural strategies in the harp performance". //Acta Acustica united with Acustica//, Vol 99, 986 – 996, 2013. DOI 10.3813/AAA.918677
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 +  * Joseph Thibodeau and Marcelo M. Wanderley. [[http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00185|"Trumpet Augmentation and Technological Symbiosis."]] //Computer Music Journal//, 37(3):12-25, Fall 2013.
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 +  * Rachel M. Brown, Joyce L. Chen, Avrum Hollinger, Virginia B. Penhune, Caroline Palmer, and Robert J. Zatorre. [[http://www-psychology.concordia.ca/fac/penhune/publications/Brown_JCogNeurosci_12.pdf|"Repetition Suppression in Auditory–Motor Regions to Pitch and Temporal Structure in Music."]] //Journal of Cognitive Neuroscience//, 25(2):313-328, (2013).
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 +  * R. Michael Winters, Alexandre Savard, Vincent Verfaille, and Marcelo M. Wanderley. [[http://airccse.org/journal/jma/4612ijma02.pdf|"A Sonification Tool for the Analysis of Large Databases of Expressive Gesture."]] //The International Journal of Multimedia & Its Applications (IJMA)// Vol.4, No.6, December 2012
  * Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. [[http://www.springerlink.com/content/h3001p7282p75407|"Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion"]]. //The Visual Computer Journal//, Springer, 28(4):357-370, 2012. DOI: 10.1007/s00371-011-0620-9   * Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. [[http://www.springerlink.com/content/h3001p7282p75407|"Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion"]]. //The Visual Computer Journal//, Springer, 28(4):357-370, 2012. DOI: 10.1007/s00371-011-0620-9
-  * Baptiste Caramiaux, Marcelo M. Wanderley and Frédéric Bevilacqua. "Segmenting and Parsing Instrumentalist’s Gestures". In //Journal of New Music Research//, 41(1):13-29, 2012.+  * Baptiste Caramiaux, Marcelo M. Wanderley and Frédéric Bevilacqua. "Segmenting and Parsing Instrumentalist’s Gestures". //Journal of New Music Research//, 41(1):13-29, 2012.
  * Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet and Fabrice Marandola. [[http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00069|"Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises"]]. //Computer Music Journal//, MIT Press, 35(3):57-72, 2011. DOI: 10.1162/COMJ_a_00069   * Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet and Fabrice Marandola. [[http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00069|"Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises"]]. //Computer Music Journal//, MIT Press, 35(3):57-72, 2011. DOI: 10.1162/COMJ_a_00069
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  * Andy Hunt and Marcelo M. Wanderley. [[http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=138211|"Mapping Performer Parameters to Synthesis Engines"]]. //Organised Sound//, 7(2):97-108, 2002.   * Andy Hunt and Marcelo M. Wanderley. [[http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=138211|"Mapping Performer Parameters to Synthesis Engines"]]. //Organised Sound//, 7(2):97-108, 2002.
 +====== Articles in Professional Magazines ======
 +  * D. Chadefaux, J.-L. le Carrou, B. Fabre, M. M. Wanderley and L. Daudet."Étude expérimentale de l’interaction musician/instrument dans le cas de l’harpe de concert."  In //Acoustique et Techniques. Trimestriel d’information des professionnels de l’acoustique//, France, Numéro 69, pp. 29-34, 2012.
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-====== Revised Proceedings ====== 
-  * Florian Grond, Thomas Hermann, Vincent Verfaille and Marcelo M. Wanderley. "Methods for the Effective Sonification of of Clarinetists' Ancillary Gestures". In Stefan Kopp and Ipke Wachsmuth (Eds.): //Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, Bielefeld, Germany, February 2009, Revised Selected Papers.// LNAI 5934, Springer Verlag, pp. 171-181, 2010. 
-  * Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley. {{http://www.springerlink.com/content/k67511mr5k416834/fulltext.pdf|“Gestural Control of Sound Spatialization for Live Musical Performance”}}. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): //Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers.// LNCS series Vol. 5085, Springer Verlag, pp. 227-238, 2009. 
-  * Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, and Frederic Bevilacqua. {{http://www.springerlink.com/content/35400g00u1020516/fulltext.pdf|“String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study”}}. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): //Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers.// LNCS series Vol. 5085, Springer Verlag, pp. 216-226, 2009. 
-  * Barbara Mazzarino, Mabuel Peinado, Ronan Boulic, Gualtiero Volpe, and Marcelo M. Wanderley. {{http://www.springerlink.com/content/g123184k8u734112/fulltext.pdf|“Improving the Believability of Virtual Characters using Qualitative Gesture Analysis”}}. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): //Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers.// LNCS series Vol. 5085, Springer Verlag, pp. 48-56, 2009. 
-  * Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. {{publications:2008:malloch_lncs2008.pdf|"A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments"}}.  In R. Kronland-Martinet, S. Ystad, and K. Jensen (Eds.): //CMMR 2007, - Proc. of Computer Music Modeling and Retrieval 2007 Conference//, LNCS 4969. Berlin Heidelberg: Springer-Verlag, pp. 401–425, 2008. 
-  * Mark T. Marshall and Marcelo M. Wanderley. {{wiki:marshallcmmr05.pdf|"Evaluation of Sensors as Input Devices for Computer Music Interfaces"}}. In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): //CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference//, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 130-139, 2006. 
-  * Alexander R. Jensenius, Rodolphe Koehly, and Marcelo M. Wanderley. {{wiki:jenseniuscmmr05.pdf|"Building Low-Cost Music Controllers"}}. In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): //CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference//, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 123-129, 2006. 
-  * Brad Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina Nuzzo, and Daniel Levitin. {{wiki:gw03f.pdf|"Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?"}}. In A. Camurri and G. Volpe (eds.) //Gesture-Based Communication in Human-Computer Interaction - 5th International Gesture Workshop//, GW 2003, Genova, Italy. Springer-Verlag, 2004, pp. 468-478. 
-  * Marcelo M. Wanderley. {{wiki:gw01f.pdf|"Quantitative Analysis of Non-Obvious Performer Gestures"}}. In I.  Wachsmuth and T. Sowa (eds.): //Gesture and Sign Language in Human-Computer Interaction.// Springer Verlag, 2002, pp. 241-253.  
-  * Marcelo M. Wanderley. {{wiki:gw99f.pdf|"Non-obvious Performer Gestures in Instrumental Music"}}. In A. Braffort et al. (eds): //Gesture-Based Communication in Human-Computer Interaction.// Springer Verlag, 1999, pp. 37-48.   
 +====== Conference Papers ======
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-====== Conference Papers ====== 
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 +===== 2014 =====
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 +  * Ian Hattwick, Preston Beebe, Zachary Hale, [[people:Marcelo M. Wanderley]], Philippe Leroux, and Fabrice Marendola. {{publications:2012:hattwick_UO_nime14.pdf|“Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis.”}} In //Proceedings of the International Conference on New Interfaces for Musical Expression//, pp. 597-600, London, UK.
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 +  * Ian Hattwick, Ian, Joseph Malloch and [[people:Marcelo M. Wanderley]]{{publications:2012:hattwick_PI_NIME14.pdf|“Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments.”}} In //Proceedings of the International Conference on New Interfaces for Musical Expression//, pp. 443-448, London, UK.
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 +  * Ian Hattwick and Seth Woods. “Almost Human: Moving Expressive Gesture from Cello to Spine.” In //Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression//, NIME2014, London, UK.
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 +  * E. Frid, M. Giordano, M. Schumacher and M. M. Wanderley. {{publications:papcoled_fridgiordanoschumacher.pdf|“Physical and Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System”}}. In //Proceedings of the joint ICMC|SMC|2014 Conference, Athens, Greece.//
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 +  * B. Bacon, M. M. Wanderley, and F. Marandola. [[http://dl.acm.org/citation.cfm?id=2617995&coll=DL&dl=GUIDE|“The Effects of Handedness in Percussion Sight Reading.” ]] As seen in the Proceedings of the 2014 International Workshop on Movement and Computing (MOCO14).
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 +  * V. Yaremchuk and M. M. Wanderley. "Brahms, Bodies and Backpropagation". In //Proceedings of the International Workshop on Movement and Computing, MOCO’14//, pages 88-93, Paris, France, 2014. ACM.
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 +===== 2013 =====
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 +  * A. Hollinger and M. M. Wanderley. {{publications:ahollinger_ieee_sensors_2013.pdf|"MRI-Compatible Optically-Sensed Cello."}} In //Proc. of IEEE SENSORS 2013 Conference//, 2013. Awarded "Best Student Paper, Overall."
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 +  * M. Rodrigues, M. M. Wanderley and P. Ferreira-Lopes. "Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound." In //Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013)//, 2013.
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 +  * H. Knutzen, T. Kvifte and M. M. Wanderley. "Vibrotactile Augmentation of an Open-air Gestural Controller." In //Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013)//, 2013.
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 +  * B. Bacon and M. M. Wanderley. "The Effects of Handedness in Percussion Performative Gesture."  In //Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013)//, 2013.
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 +  * M. Ghamsari-Esfahani, A. Pras and M. Wanderley. {{publications:2013:ghamsaripraswanderley-combiningmusicaltasksandimprovisation-cmmr2013.pdf|"Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments."}} In //Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013)//, 2013.
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 +  * I. Dalca, B. W. Vines, M. T. Pearce and M. M. Wanderley. "Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration." In //Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013)//, 2013.
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 +  * C. Rosa Mamedes, M. M. Wanderley, J. Manzolli and D. Lopes Garcia. "Strategies for mapping control in interactive audiovisual installations." In //Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013)//, 2013.
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 +  * M. Schumacher, M. Giordano, M. Wanderley and S. Ferguson. "Vibrotactile Notifications for Live Electronics Performance: A Prototype System." In //Proc. of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013)//, October 2013.
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 +  * R. A. Seger, A. L. Koerich, M. M. Wanderley. "[[http://compmus.ime.usp.br/sbcm/2013/pt/docs/art_tec_6.pdf|Detecção de Movimentos Auxiliares de Clarinetistas Através de Visão Computacional.]]" In Proc. of the 14th Brazilian Symposium on Computer Music, 2013.
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 +  * E. Teixeira, M. Loureiro, H. Yehia and M. M. Wanderley. "Motion Recurrence Analysis in Music Performances." In //Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013)//.
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 +  * T. Kell and M. M. Wanderley. "A Quantitative Review of Mappings in Musical iOS Applications." In //Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013)//.
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 +  * F. L. Schiavoni, M. Queiroz and M. M. Wanderley. "Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs." In //Proc. of the 2013 International Conference on Sound and Music Computing (SMC2013)//.
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 +  * F. L. Schiavoni, M. Queiroz and M. M. Wanderley. "Alternatives in network transport protocols for audio streaming applications." In //Proc. of the 2013 International Computer Music Conference (ICMC13)//.
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 +  * M. Giordano and M. M. Wanderley. "{{publications:giordano_ica_june2013.pdf|Measuring the Haptic Behavior of an Acoustic Guitar as Perceived by the Player by Means of a Vibrating Actuator.}}" In //Proc. of the 2013 International Congress on Acoustics (ICA2013)//.
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 +  * R. Michael Winters, Ian Hattwick, and Marcelo M. Wanderley. "[[https://jyx.jyu.fi/dspace/handle/123456789/41617|Emotional Data in Music Performance: Two AudioEnvironments for the Emotional Imaging Composer]]." In //Proc. of the 3rd International Conference on Music & Emotion (ICME2013)//.
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 +  * R. Michael Winters and Marcelo M. Wanderley. "[[https://jyx.jyu.fi/dspace/handle/123456789/41619|Sonification of Emotion: Strategies for Continuous Display of Arousal and Valence]]." In //Proc. of the 3rd International Conference on Music & Emotion (ICME2013)//.
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 +  * G. Burlet, M. M. Wanderley and I. Fujinaga. "Stompboxes: Kicking the Habit." In //Proc. of the 2013 International Conference on New Interfaces for Musical Expression (NIME2013)//.
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 +  * M. Giordano and M. M. Wanderley. "{{publications:giordano_haid_2013.pdf|Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media.}}" In //Proc. of the 2013 Haptics-Audio Interation Design Workshop (HAID2013)//, May 2013.
===== 2012 ===== ===== 2012 =====
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 +  * A. Perez Carrillo and M. Wanderley. "Learning and Extraction of Violin Instrumental Controls from Audio Signal." In //Proc. of the MIRUM Workshop, ACM Multimedia Conference//, Nara, Japan, November 2012.
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 +  * R. Michael Winters, Marcelo M. Wanderley. {{publications:Winters_ICAD2012.pdf|"New Directions for the Sonification of Expressive Movement in Music Performance"}}, In //Proc. of the 18th International Conference on Auditory Display//, Atlanta, Georgia, 2012.
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 +  * F. Germain, J. Abel, P. Depalle and M. M. Wanderley. "Uniform Noise Sequences for Nonlinear System Identification." In //Proc. 15th International Conference of Digital Audio Effects (DAFx-12)//, 2012.
  * G. Vigliensoni and M. M. Wanderley. "A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.   * G. Vigliensoni and M. M. Wanderley. "A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
-  * A. Hollinger and M. M. Wanderley. "Optoelectronic Acquisition and Control Board for Musical Applications."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.+  * A. Hollinger and M. M. Wanderley. "{{publications:2012:hollinger_nime2012.pdf|Optoelectronic Acquisition and Control Board for Musical Applications}}."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Arbor, 2012.
-  * I. Hattwick and M. M. Wanderley. " A Dimension Space for Evaluating Collaborative Musical Performance Systems."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.+  * I. Hattwick and M. M. Wanderley. "A Dimension Space for Evaluating Collaborative Musical Performance Systems."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
  * O. Tache, J.-L. Florens, S. Sinclair and M. M. Wanderley. "Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.   * O. Tache, J.-L. Florens, S. Sinclair and M. M. Wanderley. "Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models."  In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
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  * M. Giordano, S. Sinclair and M. M. Wanderley. "Bowing a Vibration-enhanced Force-feedback Device." In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.   * M. Giordano, S. Sinclair and M. M. Wanderley. "Bowing a Vibration-enhanced Force-feedback Device." In Proc. of the 2012 International Conference on New Interfaces for Musical Expression (NIME12), Ann Harbour, 2012.
-  * D. Chadefaux, M. Wanderley, J.-L. Le Carrou, B. Fabre and L. Daudet. "{{publications:h000345.pdf|Experimental study of the musician / instrument interaction in the case of the concert harp.}}" To appear in //Proceedings of Acoustics 2012//, Nantes, France.+  * D. Chadefaux, M. Wanderley, J.-L. Le Carrou, B. Fabre and L. Daudet. "{{publications:h000345.pdf|Experimental study of the musician / instrument interaction in the case of the concert harp.}}" In //Proceedings of Acoustics 2012//, Nantes, France.
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  * Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward and Gary Scavone. "{{publications:sinclair_worldhaptics_2011_distpluck_final.pdf|Noise-free haptic interaction with a bowed-string acoustic model}}". In //IEEE – World Haptics Conference 2011//.   * Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward and Gary Scavone. "{{publications:sinclair_worldhaptics_2011_distpluck_final.pdf|Noise-free haptic interaction with a bowed-string acoustic model}}". In //IEEE – World Haptics Conference 2011//.
 +
 +  * Erika Donald, Benjamin Duinker, and Eliot Britton. "Designing the EP trio: Instrument identities, control and performance practice in an electronic chamber music ensemble." In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11)//, Oslo, Norway, 2011.
  * Mark T. Marshall and Marcelo M. Wanderley. "Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument." In Proceedings of the 2011 International Conference on the Interfaces for Musical Expression (NIME11), Oslo, Norway.   * Mark T. Marshall and Marcelo M. Wanderley. "Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument." In Proceedings of the 2011 International Conference on the Interfaces for Musical Expression (NIME11), Oslo, Norway.
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===== 2010 ===== ===== 2010 =====
 +
 +  * Florian Grond, Thomas Hermann, Vincent Verfaille and Marcelo M. Wanderley. "Methods for the Effective Sonification of of Clarinetists' Ancillary Gestures". In Stefan Kopp and Ipke Wachsmuth (Eds.): //Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, Bielefeld, Germany, February 2009, Revised Selected Papers.// LNAI 5934, Springer Verlag, pp. 171-181, 2010.
  * Marlon Schumacher and Jean Bresson. {{publications:2010:schumacher-isasa2010.pdf|"Compositional Control of Periphonic Sound Spatialization."}} //2nd International Symposium on Ambisonics and Spherical Acoustics, Paris, France, 2010.//   * Marlon Schumacher and Jean Bresson. {{publications:2010:schumacher-isasa2010.pdf|"Compositional Control of Periphonic Sound Spatialization."}} //2nd International Symposium on Ambisonics and Spherical Acoustics, Paris, France, 2010.//
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  * Bruno L. Giordano, Federico Avanzini, Marcelo Wanderley and Stephen McAdams. {{publications:cfa10_blg_final.pdf|"Multisensory Integration in Percussion Performance".}} In //Proceedings of the Congrès Français d’Acoustique (CFA)//, Lyon, France, 2010.   * Bruno L. Giordano, Federico Avanzini, Marcelo Wanderley and Stephen McAdams. {{publications:cfa10_blg_final.pdf|"Multisensory Integration in Percussion Performance".}} In //Proceedings of the Congrès Français d’Acoustique (CFA)//, Lyon, France, 2010.
 +
===== 2009 ===== ===== 2009 =====
 +
 +  * Mark T. Marshall, Joseph Malloch, and Marcelo M. Wanderley. {{http://www.springerlink.com/content/k67511mr5k416834/fulltext.pdf|“Gestural Control of Sound Spatialization for Live Musical Performance”}}. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): //Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers.// LNCS series Vol. 5085, Springer Verlag, pp. 227-238, 2009.
 +
 +  * Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, and Frederic Bevilacqua. {{http://www.springerlink.com/content/35400g00u1020516/fulltext.pdf|“String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study”}}. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): //Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers.// LNCS series Vol. 5085, Springer Verlag, pp. 216-226, 2009.
 +
 +  * Barbara Mazzarino, Mabuel Peinado, Ronan Boulic, Gualtiero Volpe, and Marcelo M. Wanderley. {{http://www.springerlink.com/content/g123184k8u734112/fulltext.pdf|“Improving the Believability of Virtual Characters using Qualitative Gesture Analysis”}}. In M. S. Dias, S. Gibet, M M. Wanderley and R. Bastos (Eds.): //Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers.// LNCS series Vol. 5085, Springer Verlag, pp. 48-56, 2009.
  * Caroline Palmer, Erik Koopmans, Christine Carter, Janeen D. Loehr, and Marcelo Wanderley. "{{publications:palmer-isps-final.pdf|Synchronization of Motion and Timing in Clarinet Performance}}". In Proc. //International Symposium on Performance Science//, 2009.   * Caroline Palmer, Erik Koopmans, Christine Carter, Janeen D. Loehr, and Marcelo Wanderley. "{{publications:palmer-isps-final.pdf|Synchronization of Motion and Timing in Clarinet Performance}}". In Proc. //International Symposium on Performance Science//, 2009.
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  * Marije A. J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley. {{publications:nime09_baalman_sensestage.pdf|"Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 131-134, Pittsburgh, USA, 2009.   * Marije A. J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley. {{publications:nime09_baalman_sensestage.pdf|"Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 131-134, Pittsburgh, USA, 2009.
 +
===== 2008 ===== ===== 2008 =====
 +
 +  * Joseph Malloch, Stephen Sinclair, and Marcelo M. Wanderley. {{publications:2008:malloch_lncs2008.pdf|"A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments"}}.  In R. Kronland-Martinet, S. Ystad, and K. Jensen (Eds.): //CMMR 2007, - Proc. of Computer Music Modeling and Retrieval 2007 Conference//, LNCS 4969. Berlin Heidelberg: Springer-Verlag, pp. 401–425, 2008.
  * Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. {{publications:bouenard_enactive08.pdf|"Analysis of Percussion Grip for Physically Based Character Animation"}}. In //Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)//, pp. 22-27, Pisa, Italy, 2008.   * Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. {{publications:bouenard_enactive08.pdf|"Analysis of Percussion Grip for Physically Based Character Animation"}}. In //Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)//, pp. 22-27, Pisa, Italy, 2008.
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  * Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley. {{wiki:NIME07_Hollinger.pdf|"fMRI-Compatible Electronic Controllers"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 246-249, New York City, USA, 2007.   * Avrum Hollinger, Virginia Penhune, Robert Zatorre, Christopher Steele, Marcelo M. Wanderley. {{wiki:NIME07_Hollinger.pdf|"fMRI-Compatible Electronic Controllers"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 246-249, New York City, USA, 2007.
 +
===== 2006 ===== ===== 2006 =====
 +
 +  * Mark T. Marshall and Marcelo M. Wanderley. {{wiki:marshallcmmr05.pdf|"Evaluation of Sensors as Input Devices for Computer Music Interfaces"}}. In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): //CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference//, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 130-139, 2006.
 +
 +  * Alexander R. Jensenius, Rodolphe Koehly, and Marcelo M. Wanderley. {{wiki:jenseniuscmmr05.pdf|"Building Low-Cost Music Controllers"}}. In R. Kronland-Martinet, T. Voinier, and S. Ystad (Eds.): //CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference//, LNCS 3902. Berlin Heidelberg: Springer-Verlag, pp. 123-129, 2006.
  * Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. {{publications:mazzarino-ENACTIVE06.pdf|"Improving Human Movement Recovery using Qualitative Analysis"}}. In //Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)//, pp. 177-178, Montpellier, France, 2006.   * Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. {{publications:mazzarino-ENACTIVE06.pdf|"Improving Human Movement Recovery using Qualitative Analysis"}}. In //Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)//, pp. 177-178, Montpellier, France, 2006.
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  * Doug Van Nort and Marcelo M. Wanderley. {{publications:vannort_wanderley_smc06_final.pdf|"Exploring the Effect of Mapping Trajectories on Musical Performance"}}. In //Proceedings of the Sound and Music Computing Conference (SMC)//, pp. 19-24, Marseille, France, 2006.   * Doug Van Nort and Marcelo M. Wanderley. {{publications:vannort_wanderley_smc06_final.pdf|"Exploring the Effect of Mapping Trajectories on Musical Performance"}}. In //Proceedings of the Sound and Music Computing Conference (SMC)//, pp. 19-24, Marseille, France, 2006.
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  * Andrey da Silva, Marcelo M. Wanderley, and Gary Scavone. {{wiki:NIME05_DaSilvaetal.pdf|"On the Use of Flute Air Jet as a Musical Control Variable"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 105-108, Vancouver, Canada, 2005.   * Andrey da Silva, Marcelo M. Wanderley, and Gary Scavone. {{wiki:NIME05_DaSilvaetal.pdf|"On the Use of Flute Air Jet as a Musical Control Variable"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 105-108, Vancouver, Canada, 2005.
-  * David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley. {{wiki:NIME05_Birnbaumetal.pdf|"Towards a Dimension Space for Musical Artifacts"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 192-195, Vancouver, Canada, 2005.+  * David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley. {{wiki:NIME05_Birnbaumetal.pdf|"Towards a Dimension Space for Musical Devices"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 192-195, Vancouver, Canada, 2005.
  * Paul Kolesnik and Marcelo M. Wanderley. {{wiki:FLAIRS2005_Kolesnik.pdf|"Implementation of the Discrete Hidden Markov Model in Max / MSP Environment"}}. In //Proceedings of the FLAIRS 2005 Conference.//   * Paul Kolesnik and Marcelo M. Wanderley. {{wiki:FLAIRS2005_Kolesnik.pdf|"Implementation of the Discrete Hidden Markov Model in Max / MSP Environment"}}. In //Proceedings of the FLAIRS 2005 Conference.//
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===== 2004 ===== ===== 2004 =====
 +
 +  * Brad Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina Nuzzo, and Daniel Levitin. {{wiki:gw03f.pdf|"Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?"}}. In A. Camurri and G. Volpe (eds.) //Gesture-Based Communication in Human-Computer Interaction - 5th International Gesture Workshop//, GW 2003, Genova, Italy. Springer-Verlag, 2004, pp. 468-478.
  * Paul Kolesnik and Marcelo M. Wanderley. {{wiki:ICMC2004_Kolesnik.pdf|"Recognition, Analysis and Performance with Expressive Conducting Gestures"}}. In //Proceedings of the 2004 International Computer Music Conference (ICMC)//, Miami, Fl., 2004.   * Paul Kolesnik and Marcelo M. Wanderley. {{wiki:ICMC2004_Kolesnik.pdf|"Recognition, Analysis and Performance with Expressive Conducting Gestures"}}. In //Proceedings of the 2004 International Computer Music Conference (ICMC)//, Miami, Fl., 2004.
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  * Philippe Zaborowski. {{wiki:NIME04_Zaborowski.pdf|"ThumbTec: A New Handheld Input Device"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 112-115, Hamamatsu, Japan, 2004.   * Philippe Zaborowski. {{wiki:NIME04_Zaborowski.pdf|"ThumbTec: A New Handheld Input Device"}}. In //Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)//, pp. 112-115, Hamamatsu, Japan, 2004.
 +
 +
 +
 +
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====== Conference Abstracts ====== ====== Conference Abstracts ======
-  * Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. "Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications." Presented at the ICMPC 2010 Conference, Seattle, USA.+  * Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "Libmapper (A Library for Connecting Things)." In //Proceedings of the International Conference on Human Factors in Computing Systems (CHI 2013)//, pp. 3087-3090, Paris, France, 2013. (Extended Abstract) 
 + 
 +  * Andrew Stewart and Joseph Malloch. "Everybody to the power of one, for soprano T-Stick." In //Proceedings of the 28th International Conference on Human Factors in Computing Systems (CHI 2010)//, pp. 3093-3096, New York, NY, USA, 2010. (Extended Abstract) 
 + 
 +  * Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. "Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications." Presented at the //ICMPC 2010 Conference//, Seattle, USA.
  * Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. {{publications:gw09_bouenard.pdf|"Analysis of Timpani Prepararoty Gesture Parameterization."}} Presented at the //2009 International Gesture Workshop - GW09//, Bielefeld, Germany, February, 2009.   * Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. {{publications:gw09_bouenard.pdf|"Analysis of Timpani Prepararoty Gesture Parameterization."}} Presented at the //2009 International Gesture Workshop - GW09//, Bielefeld, Germany, February, 2009.
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  * Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo Wanderley. "Improving the believability of virtual characters using qualitative gesture analysis." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal.    * Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo Wanderley. "Improving the believability of virtual characters using qualitative gesture analysis." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal. 
-  * Mark T. Marshall, Jospeh Malloch and Marcelo M. Wanderley. "A Framework for Gesture Control of Spatialization." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal, 2007.+  * Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. "A Framework for Gesture Control of Spatialization." Presented at the //2007 International Gesture Workshop//, Lisbon, Portugal, 2007.
  * Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. "Improving Human Movement Recovery Using Qualitative Analysis. " In //Proceedings of the 3rd International Conference on Enactive Interfaces (ENACTIVE06)//, Montpellier, France, 2006.    * Barbara Mazzarino, M. Peinado, Ronan Boulic, Marcelo M. Wanderley, and Antonio Camurri. "Improving Human Movement Recovery Using Qualitative Analysis. " In //Proceedings of the 3rd International Conference on Enactive Interfaces (ENACTIVE06)//, Montpellier, France, 2006. 
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  * Carmine Casciato, Alexander R. Jensenius, and Marcelo M. Wanderley. {{wiki:PerformanceMatters2005FinalAbstract.pdf|"Studying Free Dance Movements to Music."}} Presented at //ESCOM 2005 Performance Matters! Conference//, Porto, Portugal, September 2005 (Abstract).   * Carmine Casciato, Alexander R. Jensenius, and Marcelo M. Wanderley. {{wiki:PerformanceMatters2005FinalAbstract.pdf|"Studying Free Dance Movements to Music."}} Presented at //ESCOM 2005 Performance Matters! Conference//, Porto, Portugal, September 2005 (Abstract).
- 
-