Joseph Malloch

Ph.D. Music Technology
Supervisor: Prof. Marcelo M. Wanderley

• Human-Computer Interaction
• Design, construction, performance and evaluation of digital musical instruments
• Haptics
• Interactive systems

• B.A. (Music) - Dalhousie University (Canada) 2000
• M.A. (Music Technology) - McGill University (Canada) 2007
• Ph.D. (currently) Music Technology, McGill University (Montreal)

• The T-Stick
• The Interactive Table
• Mapping tools for digital musical instruments
• The digital orchestra toolbox

• McGill Digital Orchestra
• Gesture control of spatialization
• Integra
• The Celloboard
• Dimension spaces for interface comparison

• Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, and Sean Ferguson. ”The CIRMMT/McGill Digital Orchestra Project.” In Proceedings of the International Computer Music Conference (ICMC09), pp. 295-298, Montreal, Qc., Canada.
• Rocha, F. and J. Malloch (2009). The Hyper-Kalimba: Developing and Augmented Instrument from a Performer's Perspective. In Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, pp. 25–29.
• Lähdeoja, O., Wanderley, M. M., and J. Malloch (2009). Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects. In Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, pp. 327–330.
• Marije A. J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley. ”Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork.” In Proceedings of the 2009 International Conference on New Interfaces for Musical Expression (NIME09).
• Marshall, M. T., Malloch, J., and M. M. Wanderley (2009). Gesture Control of Sound Spatialization for Live Musical Performance. In M. S. Dias, S. Gibet, M. M. Wanderley, and R. Bastos (Eds.): Gesture-Based Human-Computer Interaction and Simulation, LNCS 5085. Berlin Heidelberg: Springer Verlag, pp. 227–238.
• Malloch, J., Sinclair, S., and M. M. Wanderley (2008). A network-based framework for collaborative development and performance of digital musical instruments. In R. Kronland-Martinet, S. Ystad, and K. Jensen (Eds.): CMMR 2007, - Proc. of Computer Music Modeling and Retrieval 2007 Conference, LNCS 4969. Berlin Heidelberg: Springer-Verlag, pp. 401–425, 2008.
• Marentakis, G., Malloch, J., Peters, N., Marshall, M., Wanderley, M. M., and S. McAdams (2008). Influence of performance gestures on the identification of spatial sound trajectories in a concert hall, in Proc. of the The 14th International Conference on Auditory Display (ICAD 08), Paris, France.
• Malloch, J. (2007). A Consort of Gestural Musical Controllers: Design, Construction, and Performance. MA thesis, Music Technology, McGill University, Montréal.
• Jensenius, A. R., Castagné, N., Camurri, A., Maestre, E., Malloch, J., and D. McGilvray (2007). A summary of formats for streaming and storing music-related movement and gesture data. In proceedings of the 4th International Conference on Enactive Interfaces, Grenoble, France, pp. 125-128.
• Marshall, M. T., Malloch, J., and M. M. Wanderley (2007). Non-conscious control of sound spatialization. In proceedings of the 4th International Conference on Enactive Interfaces, Grenoble, France, pp. 377-380.
• Malloch, J., Sinclair, S., and M. M. Wanderley (2007). From controller to sound: Tools for collaborative development of digital musical instruments. In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, 2007, pp. 65-72.
• Jensenius, A. R., A. Camurri, N. Castagne, E. Maestre, J. Malloch, D. McGilvray, D. Schwarz and M. Wright. Panel: the Need of Formats for Streaming and Storing Music-Related Movement and Gesture Data. In Proceedings of the 2007 International Computer Music Conference, Copenhagen, Denmark, 2007, pp. 13-16.
• Marshall, M. T., Malloch, J., and M. M. Wanderley (2007). Gesture Control of Spatialization. Presented at the 7th International workshop on Gesture in Human-Computer Interaction and Simulation (GW2007), Lisbon, Portugal, 2007.
• Malloch, J., and M. M. Wanderley (2007). The T-Stick: From Musical Interface to Musical Instrument. In Proceedings of the 2007 International Conference on New interfaces for Musical Expression (NIME07), New York, USA, 2007, pp. 66-69.
• Wanderley, M. M., Birnbaum, D., Malloch, J., Sinyor, E., and J. Boissinot (2006). SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. In Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 180-183, 2006.
• Lebel, D. and J. Malloch (2006). The G-Spring Controller. In Proceedings of the 2006 International Conference on New Interfaces for Musical Expression (NIME06), Paris, France, pp. 85-88, 2006.
• Malloch, J., Birnbaum, D., Sinyor, E. and M. M. Wanderley (2006). Towards a new conceptual framework for digital musical instruments. In Proceedings of the 9th International Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, pp. 49-52, 2006.
• Birnbaum, D., Fiebrink, R., Malloch, J., and M. M. Wanderley (2005). Towards a Dimension Space for Musical Artifacts. In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression (NIME05), Vancouver, Canada, pp. 192-195, 2005.

Joseph Malloch
Input Devices and Music Interaction Laboratory - IDMIL
Centre for Interdisciplinary Research in Media Music and Technology - CIRMMT
Schulich School of Music - McGill University
555, Sherbrooke Street West
H3A 1E3 Montreal, Qc, Canada

Fax: +1 (514) 398-2962
Phone: +1 (514) 398-4535 ext. 094846
Email: joseph [dot] malloch [at] mcgill [dot] ca
Web: http://www.music.mcgill.ca/~mallochj/