The IDMIL (and/or its associated laboratory SPCL) are partners in the following European and Australian projects:

• Enactive Interfaces - European Community 6th Framework Network of Excellence.

• Gesture Controlled Audio Systems - ConGAS COST287 European Project.

• CONSONNES - Agence Nationale de la Recherche (France).

• Australian Project TIEM (lead by Garth Paine).

• Méta-Instrument - Agence Nationale de la Recherche (France).

• Bilateral collaboration between the IDMIL and the Musical Gestures Group at the University of Oslo, Norway (Prof. Rolf Inge Godoy and Alexander Refsum Jensenius).

• Integra - Project supported by the Culture 2000 programme of the European Commission.

• Collaboration with VIPRE MARCS Auditory Laboratories of the University of Western Sydney, Australia on the Taxonomy of Realtime Interfaces for Electronic Music Performance.

• Collaboration with Prof. Sylvie Gibet (Université de Bretagne Sud, Vannes, France) on the analysis and synthesis of percussion movements using inverse dynamics.

• Collaboration with Prof. Ronan Boulic at the Ecole Polytechnique Federale de Lausanne, Switzerland, on Real-time full-body Motion Capture with minimal sensor set by exploiting Prioritized Inverse Kinematics. A joint work between Ronan Boulic, Manuel Peinado, Benoit Le Callennec, Bruno Herbelin and Marcelo M. Wanderley. This collaboration is part of the ENACTIVE Network.

• Collaboration with Prof. Benoît Bardy (Université de Montpellier I) and Prof. Thomas Stoffregen (UNiversity of Minnesota) on The MUSIC & POSTURE project. This collaboration is part of the ENACTIVE Network.

• Collaboration with Drs. Barbara Mazzarino, Gualtiero Volpe and Prof. Antonio Camurri, at DIST - University of Genova, Italy, on the implementation of finger tracking algorithms in Eyesweb (Anne-Marie Burns) and on the evaluation of movement reconstruction (EPFL). This collaboration is part of the ENACTIVE Network.

• Collaboration with Prof. Charlene Ryan (Music Education, McGill) and Prof. Eugenia Costa-Giomi (University of Texas) on expressive movements of clarinetists.

• Project SENSE/STAGE with Profs. Christopher Salter (PI) and Ana Cappelluto (Concordia Unviersity), Prof. Yin Mei (Queen's College, NY), and coreographer Jayachandran Palazhy (Attakkalari Centre for Movement Arts, Bangalore, India).

• Collaboration with Prof. Philippe Depalle on gestural control of sound synthesis at McGill's Sound Processing and Control Laboratory

• Collaboration with Prof. Daniel Levitin, Department of Pyschology, McGill and Dr. Bradley Vines, Harvard Univeristy on the analysis and perception of expressive movements of clarinetists.

• Collaboration with clarinetist Jean-Guy Boisvert (University of Moncton, NB) on musical implications of expressive performer movements.

• Collaboration with Professors Denys Bouliane (composition), Philippe Depalle (music technology), Sean Ferguson (composition), André Roy (performance), and Gary Scavone (music technology) on the McGill Digital Orchestra.

• Collaboration with Prof. Sean Ferguson, Composition, McGill University, and percussionist D'Arcy Philip Gray on the graduate seminar: ”Digital Musical Instruments: Technology, Composition and Performance”.